Estuary Fringe Festival @ The Railway 06/08/16

5 stars (out of 5)

2

Estuary Fringe DCS ScrollerIt’s not just Edinburgh that has a festival in August. What about Southend? Maybe not as fashionable but there’s a great arts scene around Southend and its satellites. So, on a beautiful sunny Saturday afternoon, why not head out to have a look at The Railway Hotel’s contribution to the Estuary Fringe Festival which is an afternoon session in the beer garden followed by more live bands inside in the evening. I got there just as the belly dancing was finishing and the stage was being set up for live music (with background music leaning heavily on blues classics and some nice Al Stewart songs).

First on stage was Pick Yer Feet Up, or Eleanor Donne (fiddle) and Dave Murray (twangs and bangs) playing a selection of ‘bogus Bulgarian bangers’. It was relatively low-key but very melodic in an Eastern European way with a nice line in dry patter from Dave between songs. In the great old Python tradition of ‘now for something completely different’, next up was Dirty Captain Scott. What can I say? A twentieth-century estuary poet backed with cajon beats (and guitar towards the end of the set). The rhythms were insistent and the delivery, well, imagine Adele rapping and you’re most of the way there. A great set that you just couldn’t ignore.

Next? The Timlins (Matt and Victoria) played a lovely set of melancholy (maybe even miserable) songs, reminding me a lot of Turin Brakes and (bonus points if you remember this band) Budapest. Victoria’s keyboard filled out the textures created by Matt’s acoustic guitar and the harmonies were sublime. Personally, I like a bit of miserable; always have. Dead Air next, playing their first (and possibly only) gig, played a set of folky Americana with a female lead singer, acoustic guitar and mandolin backing and some lovely harmonies. If you wanted a backing track for an English summer day you wouldn’t go far wrong here.

And on to Phil Burdett, backed by long-term collaborators John Bennett (guitar), Steve Stott (mandolin and fiddle) and Colleen McCarthy (backing vocals). This was only Phil’s second live appearance after major surgery earlier in the year and he was a man on a mission, determined to get songs from his two (yes, two) new albums out there in a live setting. Throughout the set, the arrangements were a masterclass in understatement; the instruments created a framework that allowed the songs to shine. John Bennett is subtle and understated in a way that reminds me a lot of Steve Cropper; no fuss, but just try to imagine The MGs without the guitar parts. Even “New Greyhound Rag”, which was written as full band piece with bass, drums and various other bits of percussion is driven along nicely by the two guitars.

But just focus on the songs. From the opener “Sea Change” to “A Kind of Chalkwell Station Blue”, the short set was packed with melodic and lyrical invention.  The lines ‘you switch the channel in your mind – and on the news voices buzz like cracked kazoos the needle stuck on tombstone blues’ are a great example of Phil’s ability to create a striking, evocative image. All delivered to perfection in Phil’s mellow growl. You really shouldn’t get music this good for free in a pub beer garden, even if the pub is The Railway.

I’m looking forward to seeing Phil officially launch “Humble Ardour Refrains” and “Shaky Path to Arcadia” on November 5th in Southend.

If you haven’t seen them before, here are some pictures of the event.