“Shaky Path to Arcadia” – Phil Burdett
Every time I hear some delusional, no-talent wannabe on a TV talent show (not often, I admit) it should make me despair for music in the twenty-first century. The reason it doesn’t is that I know about people like Phil Burdett, a genuine visionary who’s about as far as it’s possible to get from the epicentre of what masquerades as the music business today. When I interviewed Phil about eighteen months ago in downtown Leigh-on-Sea, he told me that he was working an album to follow “Dunfearing and the West Country High” as the second part of the “Secular Mystic Trilogy”. Not only that but he was also working on another trilogy that would begin with “Humble Ardour Refrains”. So, on a budget of threepence-halfpenny and some lollipop sticks, he’s recorded two albums for Drumfire Records with some fabulous musicians from the Southend and Canvey area (more about the musicians later) and he’s releasing both of them at the same time.
“Shaky Path to Arcadia” carries on where its predecessor left off, looking west towards the USA from Cornwall, but it’s a metaphorical and musical destination and it’s not the only direction the album goes in, geographically or temporally, before returning to Cornwall to complete the cycle. Without slipping in to ‘sixth-form-literary-criticism’ mode, I’m going to say that there’s a lot going on lyrically and the deeper you dig, the more precious stones you’ll unearth. The lyrics are strewn with references to American music and culture; there’s no mistaking the reference point for “Christmas in Casablanca”, but elsewhere there are references to Joe Hill, Billie Holiday, Dylan, Little Richard and many, many more. There are Dadaist references, travel references (trains, boats and buses and almost a plane) and if you look really closely, a lot of references to Basildon. There’s a lot of autobiography in there, but you need to know where and how to look.
Even without the lyrical content, you could listen to the album and be enthralled by Phil’s rich, powerful vocals and the performances of the band over a wide range of styles. From the mainly acoustic opening song, “Returning to Earth” to the counterpoint vocals in the coda of the album’s closer “I Dreamed I Saw Carl Wilson Last Night”, the band sounds superb. It’s ensemble playing at its finest; particularly on “Hellbound & Innocent” where a melodic bass line from Russ Strothard, an insanely catchy clipped John Bennett guitar hook and Jack Corder’s drums recreate the clickety-clack of the train on the track to perfection. Dee Hunter’s piano is the perfect foil for Phil’s voice on the haunting “Christmas in Casablanca” while Steve Stott’s fiddle on “Come Out Without a Hat (It’s Bound to Rain)” and “New Greyhound Rag” give an authentic country/bluegrass feel to the songs. And let’s not forget Colleen McCarthy’s lovely backing vocals and producer Mark Elliott’s esoteric samples.
“Shaky Path to Arcadia” is an example of how good an album can be when it’s put together by people who love what they do and they do it very, very well. Put the players together with another superb set of songs from the polymath poet of Westcliff-on-Sea and you’ve got a very fine album indeed. Any proper record collection should have some Phil Burdett in it and this is as good a place as any to start. “Humble Ardour Refrains” coming soon.
“Shaky Path to Arcadia” and “Humble Ardour Refrains” are both available to pre-order now from Drumfire Records.