There’s a couple of interesting tours coming up in late November/early December that we really thought we should share with you. First up is a tour by the absolute legend Ronnie Spector with her “Ronnie Spector Sings the Fabulous Ronettes” tour, featuring the greatest Ronettes hits, including “Me My Baby”, “Baby I Love You”, “Do I Love You” and “Wallking in the Rain”, plus Jeff Barry/Ellie Greenwich/Phil Spector originals that became hits as covers, such as “I Can Hear Music” (Beach Boys) and “Chapel of Love” (Dixie Cups). The tour follows the release earlier this month of “The Very Best of Ronnie Spector” on Sony Music.
As if that wasn’t enough, Ronnie’s also working on her new album “English Heart”, a set of covers of songs by the sixties British invasion bands including The Beatles, The Stones, Gerry and the Pacemakers and The Animals which is scheduled for release in April 2016 on 429 Records. If you want to see the greatest hits tour, Ronnie’s doing the following dates:
November 28 Philharmonic Hall Liverpool
November 29 Royal Concert Hall Glasgow
November 30 The Sage Gateshead
December 1 Town Hall Birmingham
December 3 The Barbican London
December 4 Colston Hall Bristol
In early December, the European leg of the Light of Day tour comes to the UK. The Light of Day Foundation is a charity raising funds for research into Parkinson’s and related degenerative diseases, which originated in New Jersey in November 2000 and has been supported by many performers including Bruce Springsteen (whose song gave the Foundation its name), Michael J Fox, Southside Johnny, Darlene Love, Willie Nile, Jakob Dylan, Lucinda Williams, Badly Drawn Boy and Gary ‘US’ Bonds.
The headline band for the UK tour this year is Joe D’Urso, Vini ‘Mad Dog’ Lopez, Eric Bazilian, Ed Manion and Jake Clemons. If you want to see some incredible musicians and donate some cash to a very good cause, then you can catch the Light of Day tour on the following four UK dates:
December 4 Oran Mor Glasgow
December 5 TAPE Arts Centre Colwyn Bay
December 6 The Musician Leicester
December 8 The Half Moon, Putney London
You should catch both of these tours if you can, and maybe we’ll see you at The Half Moon for the Light of Day gig.
And the next one please. Steve Jenner is Managing Director and weekday drivetime presenter on Ashbourne Radio in Derbyshire (one of a handful of genuinely independent commercial stations left in the UK). Steve has been a broadcaster for over 20 years and a DJ for much (much) longer and he knows a good tune when he hears one. He’s also a bloody good bloke who doesn’t mind getting his round in. As a man who knows about Phonographic Performance Licensing, he’s helpfully added the label information for each of the albums; and he’s ranked them 1 to 5 which none of the rest of us dared to do.
This is either one of two things. A cynical last go at topping up the retirement fund by a bunch of coffin dodgers who ought to know better, or a hauntingly nostalgic and melancholy – soaked slice of harmony magic. Ok I’ve put it as my number 1 of the year so it’s pretty clear what I think and you can think what you like but if the title track doesn’t have you referencing back to summers long past and cars long gone to the breaker’s yard, you have no right to have been given ears. From the achingly beautiful opening sequence to the final track’s ode to transience, it is enchanting.
This is either one of two things. A perfunctory and never less than professional run through of a handful of songs of varying quality, or a varied, extremely well performed set of well written and well chosen songs performed with love for the material, respect for the intended audience and a sure – footedness and confidence which only comes from year upon year of recording and touring with the very best. Ok I’ve put it as my number 2 album so it’s pretty clear what I think and you can think what you like but from the second the searingly optimistic title track folds into the live tour de force “Marmalade Moon” to the point when it finally puts you down, you’re travelling alongside one of the best popular musicians this country has produced. And that’s ever. It’s an album that smiles at you – and means it.
This is either one of two things. An Americanised watering -- down of a once feisty and original Scottish songwriter and performer and her work, or a compelling and never less than sumptuous piece of work which has moments of incredible tenderness and beauty. Ok, I’ve put it as my number 3 album so it’s pretty clear what I think and you can think what you like but if you come across a more moving and despairing rendition of a song than the towering “Big Ones Get Away” (Featuring Buffy Saint – Marie on spooky vocal enhancement) or the swaggering Rickenbacker of “Sun Comes Crashing Down”, buy me a copy of whatever it is and I’ll call you a Big Fat Fibber. Gorgeous.
This is either one of two things. A gauche attempt by a bunch of 90’s burnt – outs to recapture the glory days and trying hard but not quite making which is worse than not bothering at all or an out – of – nowhere, died – in – the – wool, very pleasant surprise. Ok, I’ve put it as my number 4 album so it’s pretty clear what I think and you can think what you like but if there was a better summer FM choon than the title track this year outside of the Beach Boys album I’m afraid it passed me right on by. “The Outsiders” is pretty damn tidy too. As is the first track….oh, just stick the whole thing on. It’s real Deacon Blue. Says so on the tin.
This is either one of two things. Yet another of those awful rob – a -- genre albums artists who are struggling a bit due to reasons personal or professional insist on releasing (or their record company shamefully leans on them to do so) when they run out of ideas or it is a masterclass in how it should be done by an expert practitioner at the top of his game. Ok, I’ve put it as my number 5 album so it’s pretty clear what I think and you can think what you like but if you hear a better version of “Wishing On A Star” – and I include Rose Royce in this – or the criminally underplayed Smokey and the Miracles “Ooh Baby Baby”, (which isn’t quite as good as the original but hey, we’re tickling the toes of the angels here) I’ll refuse to buy you a copy of the new Rod Stewart Christmas Album. You have to be an exceptional talent to carry this sort of thing off. Well done, Mr Seal.
Many thanks to Steve for that great selection. There’s another selection coming tomorrow; I wonder who that could be?