Alice DiMicele’s a highly-principled songwriter. She creates songs about the things that matter to her, whether it’s the environment, land rights of indigenous peoples or being in a relationship with an alcoholic. To these powerful themes she adds a wide range of musical stylings to create nine songs (nine song albums, is that a thing now?) that demonstrate a wide range of influences while retaining an organic, rootsy feel. If that wasn’t enough, she has a tremendous voice with a huge range and the ability to work across different styles. All of this and a John Lennon cover to close out the album. Sounds good to me.

As much as I love the elemental, environmental themes of the album, the song that I want to hear again and again is “Lonely Alone”, a poignant ballad that tells the story of life with an alcoholic. It all fits together perfectly, from Alice’s soulful delivery (reminiscent of Etta James’ “I’d Rather Go Blind”) to the Steve Cropper-like crystal-clear guitar solo and even the prominent accordion; there’s not a note out of place. It’s followed immediately by the uplifting “Waiting” with its South African rhythms and a bit of steel pan to add a Caribbean carnival vibe to create a feeling of joy that throws the stark environmental messages into sharp contrast.

Apart from these two songs, the overall sound of the album has hints of The Band (maybe it’s the Hammond B3 and slide guitar) and some interesting string arrangements (on “The Other Side” and “Seeds”) and a lovely stripped-back version of the final song, the album’s only cover. It’s fair to say that “Imagine” isn’t my favourite song, but Alice strips away the overblown elements of the original and, with some delicate finger-picked guitar, harmony vocal and cello; can you believe it, “Imagine” with a cello solo?. It’s only a delicate touch, but the call and response of ‘brotherhood of man’ and ‘sisterhood of woman’ transforms the song completely.

“One with the Tide” is an album full of seemingly effortless performances, thought-provoking lyrics, startling contrasts and superb vocals. Favourite song? Has to be “Lonely Alone” with the perfect soul combination of a sparse arrangement, melancholy theme and Alice’s soaring vocal.

“One with the Tide” is released on Friday January 19 on Alice Otter Music (AO114).

It’s six years since the release of her debut album, but Ciara Sidine hasn’t wasted that time; on the evidence of her second album “Unbroken Line”, she’s been constructing a fine bunch of songs that tackle contemporary issues with a deftness and delicacy of touch that evokes some of the great popular songwriters of our time. She’s not just an average singer, she has a fabulous voice that will melt the hardest of hearts, going all the way from delicate (almost fragile) to the bluesy raunch and double entendre of “Lemme Drive Your Train”.

The opener, “Finest Flower”, sets the tone for the album with its haunting combination of melancholy pedal steel and upright creating the setting for a song tackling the iniquities of the Magdalene Laundries. It also shows Ciara’s willingness to experiment, using some grungy ambient sounds in the leadup to the guitar solo. Definitely no one-trick ponies here. The songs are strong and varied, the arrangements work perfectly for the subject matter, but the real clincher is Ciara’s voice. Her range is impressive and she makes the most of it. The laconic shuffle of “2 Hard 2 Get 2 Heaven” features the husky lower end, while the fatalistic acoustic piece “Woman of Constant Sorrow” features a high, keening vocal before building up to a menacing slide solo.

The band moves effortlessly between styles from the slow jazzy country feel of “Watching the Dark” to the gospel rockabilly of “Wooden Bridge”, hinting at the vocal stylings of Patsy Cline and Imelda May respectively. “Let the Rain Fall” references the Stax sound, particularly the clipped Steve Cropper guitar sounds and “Take Me with You”, featuring some particularly lovely harmonies, could have found a home on any of the first four Jackson Browne albums.

There are plenty of things to admire about this album; the songs, the settings, the individual playing and of course the superb vocals. The subtlety and gentleness of the stylings allows Ciara to push home some uncomfortable messages without introducing any harsh corners and in that respect, it’s a very nuanced and sophisticated piece of work.

“Unbroken Line” is released on Friday October 6th.