It’s about time we had a new album from Dean Owens, isn’t it? It’s been two and a half years since “Into the Sea”, not that he’s been resting on his considerable laurels, that’s not his style. He’s been involved in production, collaboration and loads of touring and somehow managed to fit the “Southern Wind” sessions in to the mix. Although the album’s released under Dean’s name, it’s fair to say that it’s more of a collaboration with his guitar-slinger of choice (and mine), Will Kimbrough. The musicians and production team are Dean’s regular Nashville crew and they all do the usual superb job, but the creative thread running through the centre is “Southern Wind” is the Owens/Kimbrough partnership.

They bonded over, among other things, a mutual love of Ronnie Lane and that’s the starting point for the album. “Last Song”, the album’s opener, wouldn’t feel out of place on any of the Faces albums with its loose rock feel and characteristic melodic basslines. It’s an homage and a tribute and it’s loads of fun; proof that Dean and Will can write an upbeat song (and it’s not the only one on the album).

Although the title track and “No Way Around It” have a slightly menacing Delta feel, “Southern Wind” still has very strong sense of time and place in twenty-first century Scotland and the stories of its inhabitants in difficult social and personal circumstances. “Elvis Was my Brother”, “When the Whisky’s not Enough” and “Bad News” all fit into this category, while “Famous Last Words” is a typical Dean Owens slant on the longest day of the year; that things can only get worse from here on in. Nights are fair drawin’ in, eh? “Anything Helps”, another Will Kimbrough co-write, fits neatly in to this little group with its Ronnie Lane solo era stylings and one of the album’s greatest lines ‘Took a swing at life and missed’.

There’s a place here for the intensely personal as well; the gorgeous “Madeira Street” looks back to more innocent times through a prism of grief and celebration, while “Louisville Lip” celebrates the life of Dean’s hero Muhammad Ali. “Mother” is a light-hearted sixties pastiche (just imagine it on the soundtrack to “Inspector George Gently” or “Call the Midwife”) with clipped guitar and a hint of Phil and Don, while “Love Prevails”, closing the album, channels The Chordettes’ “Born to be With You”, particularly in Will Kimbrough’s laid-back solo.

Dean Owens has that rare poetic ability to fashion perfect songs from life’s everyday stories and the ability to deliver powerful, plaintive performances of those songs. On this album, the partnership with Will Kimbrough and producer Neilson Hubbard has created perfect settings for both the melancholy and the upbeat songs. ”Southern Wind” is a fine piece of work from one of Scotland’s finest songwriters.

“Southern Wind” is released on Friday February 16 on At the Helm Records.

 And here’s a special little treat for you:

Let’s start 2018 in the traditional way by dusting off the Riot Squad crystal ball and having a peek into the next few months to see what we have to look forward to. As always, in no particular order.

After an absence of a couple of years to deal with serious health issues, Phil Burdett’s back in business again and firing out creative sparks in all directions. The action starts on Saturday January 27th at The Dickens in Southend with the launch gig for Phil’s latest album, “Psychopastoral”. He’ll be backed by the sublime Phil Burdett Group and the support band will be Winter. But that’s just the start; Phil has big plans for the rest of the year, including recording a double album of the songs written while he was in hospital, working on an art/film project and completing a book of poetry and a novel. We’ve got an interview with him coming up in the near future, so just watch this space. (Breaking news on this, Phil’s currently looking for a new venue for the gig on the 27th after The Dickens closed down over Christmas).


While we’re on the subject of grand ambitions, let me tell you about Martin Harley. He’s doing a three week tour of the UK with upright bass player extraordinaire Daniel Kimbro. They work together perfectly as a duo, both live and in the studio. The songwriting’s first class, the playing’s perfect and the harmonies are superb; even the chat between songs is interesting and often hilarious. Anyway, one of Martin’s ambitions is to play the Union Chapel in Islington, so he’s booked it for the last night of the tour on Saturday March 10th and he’s promoting the gig himself. It’s the perfect venue for Martin’s music and the Riot Squad will be out in force to support such a brave venture.


Another musical partnership we’ve been following for some time is Dean Owens and Will Kimbrough. Will’s guitar playing is in high demand; I lost count of the albums I reviewed in 2017 that featured Will’s playing, but he’s built a special relationship with Dean that’s led to a full-scale collaboration on their latest album “Southern Wind”. We’ve had some sneak previews here and we’ll be reviewing it in the next couple of weeks ahead of the official release date of Friday February 16 on At The Helm Records. You’ll love it.


2017 saw the release of the ‘lost’ PP Arnold album and the announcement she’s going to be making an album this year at Paul Weller’s Black Barn studio. It’s fantastic that “The Turning Tide” has finally been found, but even better that Pat is actually making original music again. And there’s plenty of speculation round the water cooler here at Riot towers about possible guest appearances and collaborations on the new album.


Finally, and this is specifically a London thing for the moment, late January will see the launch of Talentbanq, the latest venture for Ray Jones. Ray, former Development Director at Time Out has a passion for music that would shame most journalists and he’s always been willing to put a lot of time and effort into promoting new talent. Now that he’s no longer at Time Out he’s focussing his energies on promoting up-and-coming artists with Talentbanq. We’re still waiting for more details, but we do know that it’s going to be an interesting ride.