Finding the Spirit coverIt’s been a busy year for Stone Foundation. The album “To Find the Spirit”, released independently in March 2014, made a significant impact on the indie charts as the band’s live following increased with their own gigs in Europe and Japan and support slots with The Selecter and The Blow Monkeys. With radio support from Craig Charles on 6 Music and endorsement from the Modfather himself, things have been looking pretty good for the band this year. So, how do you keep that momentum going? Well, a few gigs with soul legend and SF collaborator, Nolan Porter, and a DVD as a more permanent memento, would probably do nicely. The gigs have come and gone and the DVD, “Finding the Spirit”, was released on 21 July.

So let’s just rewind a little bit here; Stone Foundation is a bunch of guys from the West Midlands (an area more renowned for heavy metal, to be honest) which formed around the nucleus of Neil Jones (guitar and vocals) and Neil Sheasby (bass and backing vocals) around ten years ago and developed into a classic soul/r’n’b lineup (and by r’n’b I mean Stax and Atlantic, not Jay-Z and Beyonce) with the addition of drums (Philip K Ford), Hammond organ (Ian Arnold), sax (Gary Rollins), trombone (Spencer Hague) and trumpet and latest recruits trumpet (Gareth John) and congas/percussion (Rob Newton). Stone Foundation operates completely outside what’s left of the mainstream music business. On the band’s website, the imagery of the biography is equal parts gang/team and an almost religious evangelism; if you’re thinking early Dexys and The Clash here, then you’re pretty much on the money. Personally, I’m more drawn to the idea of a collective than a gang; the band’s a very tight unit, but they find like-minded contributors outside the unit willing to help promote the manifesto, including writer Paolo Hewitt, Specials’ bass player Horace Panter (who contributed the artwork for “To Find the Spirit”), and videographer Lee Cogswell.

Lee has put together “Finding the Spirit” (described as “a collection of films”) which pulls together various strands of the band’s work over the last few years, combining music videos, a documentary of the 2012 collaboration with Nolan Porter (“Keep On Keepin’ On”), a track-by-track exploration of “To Find the Spirit” with Neil Jones and Neil Sheasby, and a record of Stone Foundation’s 2014 Japanese tour (“Tokyo 2014”).

“Keep On Keepin’ On” mixes interviews with the two Neils and Nolan Porter with live footage from The Musician in Leicester and London’s 100 Club and some lovely studio footage of the recording of Van Morrison’s “Crazy Love” featuring Nolan’s lead vocal; it’s a familiar (but still welcome) story of an artist whose career has been resurrected by the UK Northern Soul scene, but this time with some help from contemporary musicians. The film captures the relationship between Nolan, the band, and their collective audience perfectly, particularly in the footage from The 100 Club.

The track-by-track breakdown of “To Find the Spirit” is enlightening and informative; the interviews with Neil Jones and Neil Sheasby give a genuine insight into the way the album came together while emphasising the part played by fate or the collective spirit. The cameos played by Carleen Anderson and Andy Fairweather-Low were arranged through friends of friends, “Don’t Let the Rain” started with a bass riff and a string sound from Ian Arnold’s new keyboard, and the original inspiration for the album and the song “Child of Wonder” came from a prose piece by Paolo Hewitt. It’s surprising to hear that there were question marks over whether “Crazy Love” had a place on the album; thankfully, common sense prevailed there.

“Tokyo 2014” is a collage of impressions from the brief Stone Foundation Japanese tour earlier this year superimposing quick clips of the band meeting their fans over a live soundtrack which includes a particularly raw version of the Booker T and the MGs classic “Time is Tight” by a Japanese band called The Tramp. The technique of using quick cuts between short video clips conveys the feel of continuous motion while the entire piece emphasises the devotion of the band’s Japanese fans.

The final section of the DVD is a compilation of Lee Cogswell’s videos for the songs “To Find the Spirit”, “Bring Back the Happiness”, “That’s the Way I Want to Live my Life” and “Hold On”. “To Find the Spirit” opens with a quick reference to the Dexys debut album, “Searching for the Young Soul Rebels” as the lead character tunes across the static of a radio dial before leading into an aspirational story which is shot through with visual and audio Stone Foundation references. “Bring Back the Happiness” plays under a father/son reconciliation story featuring Andy Nyman (who featured in the hilarious Channel Four show “Campus” and “Peaky Blinders”) and newcomer Ben Finlay, who was spotted dancing at a Stone Foundation gig. “That’s the Way I Want to Live my Life” is a very clean black and white (and silhouette) video of the individual band members featuring multi-screen effects, and “Hold On” is a fairly straightforward studio piece featuring Andy Fairweather-Low guesting on backing vocals. You can have a look at the videos here.

By any standards, this is a very high quality piece of work; if you take into account the fact that this venture has no music business backing, then it’s absolutely exceptional. Lee Cogswell has worked across a variety of styles, including documentary, interviews, live footage, reportage and music video to produce a cohesive piece of work which enhances his own reputation while documenting the rise of a band with an absolute commitment to fulfilling its own agenda. It’s more than a just a souvenir, it’s a lovingly-crafted insight into the workings of a group of people who are making music for all the right reasons. The band is also appearing in a special session recorded for the Craig Charles funk and soul show on BBC 6 Music this Saturday (August 9).

This DVD is worth buying for its musical and visual quality, but also because the people responsible for the creative input actually see some financial reward for their efforts.

Out now. Available from Lee Cogswell.

ThumbnailFor one March night in the spring of 2014, the north-west corner of Fitzrovia became a time machine.  Last Friday, the area shifted back thirty-five years; you couldn’t escape the check shirts, Harringtons, black shades and pork pie hats in The Albany and the Green Man.  The reason for this sartorial timeshift was that The Selecter was back in town at 229, The Venue supported by Warwickshire’s best-kept funk secret, Stone Foundation.  Reunion tours and nostalgia gigs, I can take ’em or leave ‘em; The Selecter played a really tight, professional set and had the audience bouncing  to the sound of all the old hits.  The old fans loved it and why shouldn’t they; the performance was probably much better technically than the late 70s/early 80s shows.  They also got a really good DJ set from Rhoda Dakar, which built up nicely to the start of the headliners’ set.

But while we’re talking about time travel, let’s go back to the start of the evening.  The support band chosen by The Selecter for this tour is Stone Foundation from Atherstone in Warwickshire and they are very special.  Stone Foundation’s fourth album, “To Find the Spirit” is out this week.  On the back of years of hard work and touring, the band seems to have become a ten-year overnight success.  The independently-released album looks set to make an impact on the album chart this week and the band is riding the crest of the wave; the band recognise all of this and refer to it during their support set, but really it’s business as usual with maybe a hint of celebration.

And business as usual is a seven-piece soul/funk band playing together as a tight unit and having a great time.  This band doesn’t have an obviously dominant personality; they all work together, the guitar, horns and Hammond combining over the solid rhythm section of Neil Sheasby and Philip K Ford to produce a sound with all of the best elements of sixties and seventies soul and funk.  If you imagine a cross between the Average White Band and Dexys Midnight Runners, then you won’t be far off the mark.  In true jazz club style, there are solos throughout the set from Ian Arnold (Hammond), Spencer Hague (trombone), Dexy D’Angelo (trumpet), Gary Rollins (saxophone) and, occasionally, Neil Jones (guitar).  How often do you hear trombone, muted trumpet and soprano sax solos these days?

The set opened with the new album’s title track, “To Find the Spirit”, and also included “Bring Back the Happiness”, “Don’t Let the Rain” “, “Stronger Than Us” and “That’s the Way I Want to Live my Life” as well as earlier tracks, “No More the Fool”, “Let the Light” and “Tracing Paper”.  If you want to hear flawless contemporary soul/funk then you should really listen to Stone Foundation either live or on record; you won’t be disappointed either way.  While we have bands like this writing, playing and performing, there’s still hope for the music business.

Stone FoundationSometimes it’s shocking that a band can be around for nearly ten years playing quality music without ever grabbing your attention; maybe it’s because, contrary to popular belief, there are still hundreds of superb bands out there and it’s just possible to occasionally miss one.  So I have to apologise to Stone Foundation; let’s hope I can make up for my shocking ignorance.  Before I even start on the music, I have to say that there’s an attitude about the band that evokes the early days of Dexys Midnight Runners; the band page on their website reads like one of Kevin Rowland’s legendary communiqués in the band’s heady early days.  There are lots of underplayed references to their influences on the website as well, but you can find those for yourself.

The band members are Neil Jones (vocals, guitar and harmonica), Neil Sheasby (bass), Ian Arnold (Hammond), Philip K Ford (drums), Spencer Hague (trombone), Lynn Thompson (trumpet) and Gary Rollins (saxophone and flute).  They’ve been touring as headliners and recently as support to acts like The Specials on their recent arena tour, steadily building up their own fanbase and “To Find the Spirit” is their fifth studio album.  This is a band which wears its influences proudly on its sleeve; if it’s remotely soulful and it was made in the 60s or 70s, it’s probably had an influence on Stone Foundation.  The playing is of the very highest quality but this isn’t about style over substance and flashy solos; on “To Find the Spirit”, everything is beautifully arranged for the seven-piece ensemble and nothing is out of place.  And if that isn’t enough for you, there are guest appearances from soul legend Nolan Porter, 60s icon and soul survivor Andy Fairweather Low, former Dexys bass player Pete Williams, journalist and soulboy Paolo Hewitt and the fabulous former Young Disciple Carleen Anderson.

The album pulls you in instantly with the opening bass, guitar and Hammond crescendo of “To Find the Spirit” leading into a horn arrangement that wouldn’t sound out of place on a Southside Johnny record; to make things better still, it evoked memories of the 70s Natalie Cole classic, “This Will Be”.  A pretty good start really.  “Bring Back the Happiness” (featuring Nolan Porter) starts with a clean guitar riff and Hammond chords and tips more than a wink to Booker T’s “Time is Tight”.  “That’s the Way I Want to Live my Life” again has a lovely Stax feel, presenting us with the rare treat of a trombone solo and you really don’t hear enough of those these days.  “When You’re in My World” (featuring Carleen Anderson and the Q Strings) continues in a similar 60s feel with a lovely understated sax solo before the thunderous drum and pure Dexys horn intro leads into “Stronger Than Us”.

“Don’t Let the Rain” is, I suspect quite deliberately, the centrepiece of the album with its laid-back positive message and gradual build-up over nearly nine minutes using all the elements of the band (particularly sax and muted trumpet) in the arrangement, and it’s followed by the slow 60s groove of “Crazy Love”, again featuring a Nolan Porter vocal.  “Telepathic Blessing”, with its moody electric piano intro, builds to an ending which has the Hammond and horns working perfectly together.  “Hold On”, featuring Andy Fairweather Low, with its mid-tempo feel could be a post-Impressions Curtis Mayfield song and I don’t throw compliments like that around lightly.

“Child of Wonder” is an interesting combination of a surreal Paolo Hewitt rites-of-passage monologue set against a jazz-funk background (built around the bass riff from Roy Budd’s “Get Carter” theme) evoking smoky LA bars lit by out-of focus neon lights.  If you’ve heard “Over the Border”, the opening track from the recent Saint Etienne classic album “Words and Music”, you might hear a few similarities.  “Wondrous Place”, featuring Pete Williams is the mid-tempo, Hammond and horn-led closer to the album before the bonus Dennis Bovell dub mix of “Don’t Let the Rain”, which creates a lot of space and doesn’t try to compensate with a lot of unnecessary effects.

If you’ve ever liked anything by Booker T and the MGs, Young Disciples, Nuyorican Soul or anything on Stax and Atlantic, then you’ll love this.  “To Find the Spirit” is a labour of love where the songs, the performances and the arrangements dovetail perfectly to create a seductive and glorious stew of influences which still sounds vibrant and contemporary.

Released March 10 2014 on Republic of Music, via Universal (CD – TPCD007, Vinyl – TPL007).