So what makes the perfect festival? A line-up of artists that you really want to see, obviously, but maybe I’m approaching this from the wrong direction. There are many, many aspects of festivals that fill me with dread, including sanitation (or lack of), over-priced food and drink, the great British weather and big one; camping, glamping or whatever you favour in the area of al fresco sleeping. Now if there was a festival where I had the choice of loads of interesting gigs and the option of curling up in your own bed after a nice shower, that’s the one I’d be going for. Now, as it happens, there’s something closely resembling that happening in London this year, for the second time, going by the name of Innervisions Festival promoted by the APMG group.

The line-up features an impressively varied list of artists including Van Morrison, Mavis Staples (supported by the wonderful Stone Foundation), Maceo Parker, Fela Kuti, Gilberto Gil, Gentleman’s Dub Club, Janet Kay and Carroll Thompson playing at a range of venues including Under the Bridge, The Roundhouse, Islington Assembly Hall, Shepherd’s Bush Empire, Indigo at the O2 and Earth between Wednesday July 3rd and Sunday July 7th.

You can see the full updated line-up and links to ticket sales on the Festival website. Here’s how it’s looking at the moment:

So if you’re a fan of any of the artists on this line-up grab yourself a ticket or two for any of the gigs, arrive at a reasonable time, leave the wellies at home, enjoy the gig and then get the tube home to a nice comfortable bed and wake up the next day feeling refreshed and without the prospect of a mile-long cue for a tepid shower. Just sayin’.

 

Allan was a bit chuffed to get his first big festival photo accreditation this summer for Cornbury Festival in Oxfordshire. It was perfectly timed to coincide with a complete weekend shutdown of rail services through Oxford during the hottest weekend but it takes a lot more than that to stop a determined photographer. When he eventually made it there, well, we’ll let him tell you about it.

 

OK, Friday night and the first band to play in the dark with stage lights was Stereo MCs. Had to be done really. It was a bit of a nostalgia thing; loads of memories of my DJ days in the late eighties/early nineties. From the outset, it was obvious that Rob Birch is still a hugely charismatic and dynamic frontman. I think this just about captures it:

Last set on Friday night was UB40. I saw UB40 on their first national tour when they supported The Pretenders on tour across the UK in 1980. They were fired up, they wanted to succeed and they sounded amazing. Nearly forty years on, it’s a very different story; there are two UB40s touring and neither’s convincing. This version is pretty pedestrian, but they have one secret weapon – Brian Travers. I’m sure he wouldn’t claim to be the best sax player in the world, but he knows how to sell it:

Saturday night was busy (although Alanis Morissette decided not to allow any press access for her set) and the Songbird Stage was the place to be. Obviously Mavis Staples was a do-not-miss, but PP Arnold was another. You would think she’d never been away; she sounded fabulous and looked like this:

Sunday afternoon on the Pleasant Valley Stage; anyone for a bit of Deacon Blue? Definitely; I saw them a couple of times in the very early days and I loved them. It’s partly a Scottish thing, but it’s mainly a music thing. They have great songs and they have the experience to sell them on a festival stage. You never know, Ricky might do a bit of politics. Actually you do know, he will. Anyway, he’s looking pretty pumped these days:

Sunday evening headliners – Squeeze. We go back a long way; I saw Squeeze for the first time at Dundee University Students’ Association; there were more people on stage than in the audience and it was still a great gig. I’ve photographed them on occasions forty years apart (I know, I don’t look that old) and I still love those Difford/Tilbrook songs. This time, it was Yolanda Charles that really caught my eye:

So, Allan’s shown us his favourite black and whites from 2018 already, it’s time for the colour shots now. You might recognise some of these, you might not. The Riot Squad like them. We’ll let Allan tell you about them:

Joe Slater @The Jazz Café

A bit of a strange gig this one, because it was the first major gig after a bit of a health wobble. However you look at it, it was great to be in the same room as Joe Slater, Hollie Rogers and Dan Owen. It was a really warm evening in a venue where the aircon struggles at the best of times and Joe’s fashion statement was to wear a hoodie. I’d just picked up the camera with the wide-angle lens when this happened:

DJ Lusinda @Party in the Park New Cross and Deptford

I saw this festival on Facebook and it was just around the corner from the day job. I got in touch, volunteered my services and I was in. What a great move that was. The sun shone for the entire day and the atmosphere among the festival-goers, volunteers and performers was absolutely superb. During the early afternoon, DJ Lusinda worked with Holly Flo Lightly and Minx to deliver a classic set of London hip-hop. I could have chosen any one of half a dozen photos from this set, but here’s the one I’ve gone with:

Mavis Staples @Cornbury Festival

This was my first year with photo accreditation at Cornbury Festival and I have to say it was a good ‘un and a chance to meet up with fellow gig photographers. My attentions were concentrated mainly on the second stage and the Caffe Nero stage, but the one artist that I really wanted to capture was the legendary Mavis Staples. She was totally outstanding and I somehow managed to grab this shot:

Julia Gurry @26 Leake Street

Julia’s one half of Belle Roscoe, along with brother Matty and this was the first time I had the chance to see them. Just sayin’ now, you need to see these guys; they are sensational. They’re also incredibly photogenic, both of them. This was the opening night for live music at 26 Leake Street, under Waterloo Station and it was a memorable on for most of the right reasons; I shot my first book cover there, for starters. Anyway, Julia, nice lighting, what do you think was going to happen?

Lisa Canny @26 Leake Street

The same night; how strange is that? The first time I’d seen Lisa Canny as well. Lisa plays harp and banjo, sings and raps. I’ve no idea how you would classify her and I’m not going to try. I’ve got lots of nice shots of Lisa, but nothing matches the intensity of this basilisk stare:

 

Day 2 at Cornbury was always going to be a game of two halves. Caffe Nero had lined up a huge array of unsigned talent on their stage, kicking off at 9:15 and running through to the early evening. After checking out the running order, I was perfectly happy to spend the first eight hours of Saturday watching the Caffe Nero/Talentbanq selection. In fact, I was telling anyone who would listen to get their asses down to Caffe Nero to watch the Saturday lineup.

Katy Hurt got the day started with her UK Country thing before handing over to the 21st century folk of Daisy Chute. It was a fairly laid-back introduction to Saturday morning without a hint of the whirlwind that was about to descend on the Cotswolds. How about a flame-haired Celtic harpist who sings, plays banjo and raps? Yep, that’s Lisa Canny and she’s a force of nature, mashing up pop and roots into a gorgeous musical melange.

And that’s only halfway through the day; there was still Emily Barker’s gorgeous Americana followed by the powerful and soulful Joe Slater (go and see him if you get the chance, he’s a great writer and powerful, charismatic performer) before things got really out of control. Houndstooth (formerly Coffeepot Drive) absolutely tore it up, getting the second standing ovation of the day (Lisa Canny got the first) before handing over to Nuala to close the day for Caffe Nero.

And for the evening, the Songbird stage featured two legends; PP Arnold was back in the game following the release of “The Turning Tide” (originally recorded in the sixties) followed closely by the fabulous Mavis Staples. From the (as yet) unknown to the legendary in one day, and still a day to go.

You can see the photos here.

 

We try to do one festival a year here at Music Riot. Last year it was iconic Isle of Wight Festival; this year we’re staying a bit closer to home with a visit to Cornbury Festival in Oxfordshire. We took several factors into account before making the scientific decision to opt for Cornbury this year despite the stiff competition from the plethora of festivals across the UK, from the boutique to the behemoth. So, what do you think swayed us in the direction of Chipping Norton for this year’s summer outing?

Well, let’s start with the headliners; UB40, Alanis Morissette and Squeeze. They’ve all enjoyed single chart success and critical acclaim and each of them has survived through several decades in the music business; four decades each in the case of Squeeze and UB40, and Squeeze are still knocking out great new tunes as if the last forty years never happened. Look a bit lower down the bill and you have all the reasons why anyone who loves music should be going to Cornbury.

There’s great music to appeal to all ages and tastes, from the reinvented P.P. Arnold and the evergreen Mavis Staples and Jimmy Cliff, through the nineties dance of Stereo MCs right up to the London Americana of the superb Danny and the Champions of the World. And, if that wasn’t enough, don’t forget that Cornbury has the poshest loos on the festival circuit; when you reach a certain age, that’s really important.

If all of that hasn’t convinced you, Caffe Nero have a stage at the event where you can get great coffee and see absolutely loads of upcoming talent. We’ve already heard many of the artists playing on the Caffe Nero stage over the last couple of years; you could spend the entire festival there and hear nothing but fabulous music. See you down the front.

Cornbury Festival takes place between Friday July 13 and Sunday July 15.