OK, let’s get this straight from the start. It’s Stone Foundation; not The Stone Foundation. It’s an important distinction because the name has layers of meaning. It’s a reference to the solid bond uniting the core of the band: Neil Jones, Neil Sheasby, Phil Ford and Ian Arnold. But it’s also a reference to the foundations that underpin the band, the songwriting partnership of Neil Jones and Neil Sheasby and the locked-in, rock-solid rhythm section of Neil Sheasby and Phil Ford. That’s not to understate the importance of Ian Arnold’s keyboards or Rob Newton’s congas, but none of it can happen without the purring V8 (I know, mixed metaphors) engine.
And the rhythm section (along with the rest of the band) can turn on a sixpence as well. “Love Rediscovered” has the band alternating tempos and time signatures in a jazz-inflected piece with gentle ensemble horns and some lovely background sax fills. In many ways it’s the least typical song on the album, but it has a strand of the common thread of social commentary running through it. In that respect it’s a lot like the Marvin Gaye and Curtis Mayfield social consciousness albums of the early seventies.
The big ticket news item is always going to be the involvement of Paul Weller as producer, co-writer, player and singer. On the two previous albums, the band have attracted some high-profile guests, but nothing quite in this league. The most obvious influence is in the current single “The Limit of a Man”, which has hints of Style Council, although there are suggestions of Brenton Wood’s “Gimme Little Sign” and Curtis Mayfield’s “Move On Up” in there as well. It’s a gloriously upful song and should, by rights, be all over the radio.
Paul Weller aside, there are guest appearances from Bettye Lavette on the midtempo “Season of Change”, full of horn stabs and parping baritone sax, and William Bell on “Strange People” with, strings, Hammond, horns, a flute solo and even a bit of cowbell. Both singers still sound fabulous. On the ‘business as usual’ front, Neil Jones’ vocals seem to get better with each album and Neil Sheasby has created some lovely melodic basslines.
Stone Foundation managed something wonderful with “Street Rituals”. They’ve expanded their musical palette by adding flute, more strings and some over-driven guitar to the usual mix of piano, Hammond and horns to create a timeless vibe that’s thoroughly modern while acknowledging its roots. There’s a lot going on with “Street Rituals”; it sounds gorgeous on the first listen, but on repeat keeps revealing more and more. Is there a better British soul band at the moment? I very much doubt it.
“Street Rituals” is released on Friday March 31 on 100 Per Cent Records.
It’s time to get the High Fives under way for 2015 and, in a break with tradition, I’m handing over the opening slot to one of our guests, Neil Sheasby, bass player and co-songwriter with one of The Riot Squad’s favourite bands, Stone Foundation. The band have had a great year with the release of their superb album “A Life Unlimited” (guest vocal from Graham Parker, no less), a Japanese tour and some high profile UK gigs. Neil’s observations on music are always interesting, so it’s a pleasure to let him have the first High Five this year.
A record that pretty much defined my summer, for a few weeks I didn’t play much else. It is actually one of those albums that the more you listen to it, the more it will give you in return. It’s quite a sprawling, challenging recording set over three discs and clocking in at around three hours so it’s hard to digest all in one sitting but its depth, beauty and sheer ambition is unlike any other album I have heard in recent times. It could easily sit alongside the jazz heavyweights such as Coltrane’s output for impulse & Atlantic. Probably more accessible though. It has a timeless quality to it and an underlying spiritual vibe, funky too. I was lucky enough to catch his recent London gig and the playing was just on another level, astonishing stuff. Inspiring. He also led me to Kendrick Lamar’s “To Pimp a Butterfly” album (Kamasi plays on it) which is a great modern hip hop record again pushing & re-defining the boundaries of that particular genre.
I think 2015 has been a strong year for new releases and new music in general, it’s been encouraging.I’ve really enjoyed new albums from artists I hadn’t previously heard of like Ryley Walker whose “Primrose Green” album evokes traces of John Martyn & Tim Buckley; also the Julia Holter record is an interesting listen but I must admit the real surprises of the year have lain with the rejuvenation of established arists that have made really unexpected returns to former glories. New Order’s “Music Complete” album was a real eye opener, easily their best since 1989’s Technique. It’s a real triumph; Peter Hook free too! They should be proud of such a complete piece of work after all these years, it was a bona fide pleasant surprise to my ears, I’d about written them off.
Also this year there’s been great new albums from Joe Jackson (“Fast Forward) and Squeeze (“Cradle to the Grave”) that are fit to stand alongside any of their previous highlights.
This is a film about the relatively short life of British Jazz genius Tubby Hayes. It was made by two good friends of mine, Mark Baxter & Lee Cogswell and it’s a fascinating profile and made with much affection for its subject, narrated by Martin Freeman and it includes commentary & interviews with Sir Peter Blake, Spike Wells, Robert Elms, Simon Spillett and Ed Piller amongst others. I’ve known Mark for several years now and from day one he always had a burning desire to create a fitting documentary as a testament to Tubby’s life & music, he’s more than succeeded, I’m so pleased for him & Lee. It’s a fantastic little film and one that had me running for the records again.
Me and a mate recently attended the London launch party for its DVD release and on the train home it had us talking passionately about London & the Soho jazz scenes through the years, the clothes and the clubs, the DJ’s, bands, singers etc.That’s the tell-tale sign that “A Man in a Hurry” film had served its purpose all right.
Released earlier this year The RCA Victor and T-Neck albums all housed together in a 22 CD box set. It spans the Isleys career from 1959 up to 1983 taking in all those classic mid 70’s albums as well as a previously unreleased live album recorded at Bearsville Sound Studios. It’s an absolute beauty and really highlights the often overlooked genius of The Isley Brothers. Ronald, Ernie and Rudolph began with Doo-wop roots and evolved marvellously through classic Soul, Funk and even disco
It’s an incredible collection, once I get immersed in it, I’m in there for days on end. Brilliant stuff.
A compelling & fascinating read by one of my favourite writers, Kevin Pearce. It’s actually the first book I have ever read from start to finish on my phone, it was my companion whilst on holiday this summer. Not many will be familiar with the name of Bobby Scott but it’s probably safe to say that you would have certainly heard his work.
Bobby composed, arranged, sang, produced and performed with countless artists including Marvin Gaye, Bobby Darin, Timi Yuro, Aretha Franklin, Chet Baker, Quincy Jones, Roland Kirk, Deodato, Stan Getz, Astrud Gilberto and a cast of thousands more. Bobby Scott songs include “A Taste of Honey”, recorded by the Beatles, and the epic “He ain’t Heavy, He’s my Brother” which The Hollies struck gold with (also check Donny Hathaway’s miraculous version) The only downer to reading this book is that it will seriously have you running back and forth to You Tube checking out song after song and of course in my case, being a hopeless music junkie, I ended up spending a small fortune on chasing up some of these spectacular sounds for my ever expanding collection.
I also read great autobiographies from Robert Wyatt, Bernard Sumner, Nile Rodgers, and somewhat refreshingly the Italian footballer Pirlo. I was a tad disappointed with the Grace Jones book, thought it would be more telling I think, then again Paul Morley was involved so no surprise I was underwhelmed.
I’m just about to begin Elvis Costello’s “Unfaithful music and Disappearing Ink”; looking forward to it…..