There are a lot of things that go a long way to making a great record, in my humble, and a couple of them are great musicianship (controversial, but I include singing in that) and a sense of joy; this album has both of those in abundance. Track Dogs (the name’s taken from the denizens of the deeps of the New York subway) is Garrett Wall, Dave Mooney, Howard Brown and Robbie K Jones (two Irishmen, an Englishman and an American) who met up in Madrid. You might expect a mashing of influences, but “Kansas City Out Groove” goes way further than that. It fuses reggae, string band arrangements, Spaghetti Western and jazz and even hints of pop.

There’s a rare combination of four great players who also have superb voices, creating stunning individual vocal performances and the almost inevitable perfect harmonies. So where do you even begin to start picking out favourites? The Latin trumpet and rhythms and the nailed-on harmonies of the opener, “The Deep End” set the scene nicely, the lead vocal having more than a suggestion of our great British blues and soul hero, Aynsley Lister, and the hundreds and thousands come with the trumpet solo doubling up to two horns as the song plays out.

And from there on in, anything can happen. My personal highlights are the midtempo “Find Me a Rose”, blending folk song themes of life coming from death with Latin rhythms and constant tempo changes. “I Don’t Want to Ruin It” combines clipped funk guitar parts, a powerful trumpet solo and hints of David Gray’s “Babylon” to question where a relationship should go next and “Born in Love” has a chorus that is pure Steely Dan circa “Can’t Buy a Thrill”. Last, and definitely not least, is “My Big Payday” packed with tempo changes, Chicago/Asbury Jukes horns, a classic swing feel and a whole bundle of fun.

The playing is outstanding, the harmonies are superb and it’s joyful throughout; just give it a listen.

“Kansas City Out Groove” is out now on Mondegreen Records.