Guitarists; like Madonna, they love to strike a pose, don’t they? It’s all very well playing great solos, but you have to look good at the same time because you might have a halfway decent photographer at the gig. I don’t think it’s an ego thing, I think it’s subliminally taught at the various pop/rock schools and colleges – who teaches guitar players at those institutions? Yep, older and more experienced guitar players. Here are a few shots that either confirm or subvert those plank-spanker stereotypes.

Si Connelly @Water Rats

What I really like about this shot of Si is that he’s so still. Anyone who has seen him live will know that he’s a bit like Taz on stage; a complete whirlwind, throwing his guitar around and kneeling on the stage, but I managed to capture him perfectly lit, with nice contrast and upright. Si’s an incredible performer and it was good to catch him taking a little time out.

Dan Owen @Crypt Lates, St Martin-in-the-Fields

Dan Owen is a master of his instrument, whether he’s playing acoustic or electric you can guarantee that you’re going to hear something special. His raw voice is perfectly suited to the songs he delivers. He’s also a very physical player who likes a bit of a stomp around on stage while he’s playing, which means that there are a few dramatic moments to capture. Here’s one of his characteristic stomps.

Matthew, The Molotovs @229 The Venue

While we’re on the subject of raw energy, how about The Molotovs? Matthew, Issey and Ice are all under eighteen and still developing as a band at the moment as they write more of their own songs. When they hit the stage some magic happens as the adrenaline kicks in and Ice’s pounding drums and Issey’s thumping bass create a platform for Matthew’s singing and playing as he whirls and leaps around the stage. There’s a lot happening on stage and it’s just a question of having the camera pointed in the right direction at the right time. The shot works quite well in black and white, but the warm colours and contrasts really work in colour.

Daybreakers @Slim Jim’s Liquor Store

Sometimes you get results because you’re having to work around things like lighting that’s not ideal and lots of people on a small stage. I found a nice shooting angle (which meant I got a nudge every time someone went downstairs to the toilets) but it paid off when Aidan, the guest guitar player and bass player Conor Cotterill all had the necks of their guitars at slightly different angles to create a bit of structure out of a very busy scene. The expression on the guest player’s face is the icing on the cake.

Joanne Shaw Taylor @Shepherd’s Bush Empire

This was a last-minute thing. My friend Richard Bolwell from MNPR magazine couldn’t make the gig and asked me if I was available to cover it. I hadn’t seen Joanne play before and I always like a pit shoot at The Empire. Except it was cabaret seating and no pit, so the order of the day was keeping out of the way of the people in the expensive seats at the front and grabbing a few interesting shots. The positives were that the lighting was perfect and Joanne is incredibly photogenic. Probably one of my favourite shots of the year.

Difficult second album? Not having that; this is Federal Charm we’re talking about here and this is just another step on the way on the way to blues/rock domination. It’s been over two years since the debut album and they haven’t wasted that time. They’ve toured on their own and as support for the likes of Ian Hunter and Rich Robinson, working on the songs at their own pace between tours until they were confident that everything was ready to go. It’s a lot like the live performances; it’s not about pyrotechnics or twenty-minute guitar solos, it’s about four very good musicians playing a bunch of well-crafted songs. The confidence in their own abilities shines through without coming over as the cocksure arrogance of some lesser bands; they don’t need that kind of ego trip. But what about the album?

Well, the opening song on “Across the Divide”, “Master Plan”, gives a pretty good idea of what the album’s about. It powers in with a mighty guitar riff but this is a long way away from leaden-footed four to the floor dad rock. Even within the first song there are twists and turns, breakdowns and full range of dynamics. And it’s not just about the two guys upfront with the guitars; LD Morawski’s bass and Danny Rigg’s drums play a vital part in the overall sound, as the drummer deals with shifting rhythms and the bass is used as a third guitar, contributing melodic parts (“Silhouette”) rather than the thudding root note we hear way too often.

The big guitar riffs are all there, from the opening chord riff of “Guess What” to the riff and melody combination of the lead track “Hercules”, the wah-wah psychedelia of “No More” and the toppy, choppy riff of the funky “Push” (with the lead vocal sounding a lot like Glenn Tilbrook), Nick Bowden and Paul Bowe’s guitars form constantly shifting patterns under Nick’s stunning vocals. Federal Charm sound just as convincing with the slower songs; “These Four Walls” is a powerful break-up song and the album’s closer, “Walk Away (Time & Time Again)” works its way up through the gears towards a solo which sounds like vintage Brian Robertson before fading out on a piano coda.

“Across the Divide” confirms the impression created by the debut album; these guys have all the ability and all the songs plus the confidence to get out there and deliver where it really counts. They’re currently on the road with Joanne Shaw Taylor before setting out on their own headline tour; get out and see them, you won’t regret it.

“Across the Divide” is out now on Wire-Sound (WIRED 35).