I’ve been landed with editorial duties on this one, so I can explain how this particular theme came about. For various reasons, I’ve not been able to get to the big festivals this year but I’ve done quite a few local multi-site festivals with lots of indoor gigs going on. Maybe the artists aren’t as well known as those on the stages at Cornbury, Glastonbury, Isle of Wight or Reading/Leeds, but they’re still incredibly interesting people to photograph. These are all people totally committed to what they do and I hope the photos capture that. These are people that may only ever be known on their own local music scene, or they may go on to achieve international recognition. You might have an idea about their potential, but how often have we all been wrong with those predictions? As always, these are in no particular order.

The Slacksons @Hanwell Hootie

Copyright Allan McKay 2022

The Slacksons are a fascinating band from Bristol centred around producers Mikey and Andy combining samples and live musicians to create a barnstorming live experience fronted up by manic singer/rapper Mikey. I was invited along to this gig at The Hanwell Hootie by Darkspin Music Management, who look after The Slacksons after shooting the band at another couple of gigs – that was a no-brainer. Even without stage lighting, the band creates lots of striking imagery and Mikey and Andy aren’t camera shy and the monochrome editing and tight crop capture something of Mikey’s onstage intensity.

Bad Soul Buskers @Leek Blues & Americana Festival

Copyright Allan McKay 2022

Every year at the beginning of October the town of Leek in Staffordshire hosts a five day festival with live music in the town’s two gig venues and various pubs around the town. There’s a huge variety of music from established touring acts and visitors from the US to bands featuring musicians from the area around Leek. The town’s in the Staffordshire Moorlands, about 600 feet above sea level and it can be bloody cold at that time of year – just sayin’. This year I made a conscious decision to only shoot the pub gigs, partly to give myself a bit of a challenge. Gigs in pubs that aren’t set up for gigs is definitely a challenge. Bad Soul Buskers was the first band I shot, at The Red Lion on the Market Square. I quite like a bit of eye contact in close-ups and I definitely got that here from the singer, who really likes the shot.

Jim Maving @High Tide Festival, The Cabbage Patch

Jim’s a stunning guitar player that I’ve been bumping to at gigs for a few years now, working with people like Dean Owens, Lou Kyme and his old Case Hardin bandmate Pete Gow. He also played in The Mick Ralphs Blues Band. And I just need to say at this point that he’s a bloody good bloke as well. I’ve photographed Jim in many settings from pubs to theatre gigs, in monochrome and in colour and he always looks good. Makes me a bit jealous really, particularly as he’s such a brilliant player. This particular gig was mostly indoors (the picture windows opened out on to the street, so the lighting was kind of interesting. Unusually for Jim, this gig was all about his own material and he was holding centre stage. Superb performance delivered as always, and I liked this shot of Jim pulling the audience in to the experience.

Hannah White @High Tide Festival, The Cabbage Patch

I first saw Hannah four and a half years ago at ‘Vin’s Night In’ at The Hospital Club. My first impression was that her songs provoked strong reactions – what’s the point in songwriting if it doesn’t provoke a reaction. I’ve photographed her a few times since, particularly over the last year, and discovered how committed Hannah and husband, and guitar player, Keiron Marshall are to music (running The Sound Lounge live venue and organising the first Folk in the Park event in Sutton this summer) and to environmental causes. She also gives everything when she’s on stage and she’s a very interesting person to photograph.

I like to see talent being rewarded (and good people). Hannah’s a great songwriter and a heart-rending performer in a classic country tradition, so it didn’t come as a surprise when Ricky Ross played Hannah on his ‘Another Country’ show in Scotland after a recommendation and then invited Hannah & Keiron to play as support on his solo UK tour. And the accolades for her latest, appropriately named, album ‘About Time’ keep coming in. I’m sure there’s more to come.

Stoneash Blues Band @Leek Blues & Americana Festival

Copyright Allan McKay 2022

This was shot at The Wellington Inn on Strangman Street in Leek. It’s a pub that features live music, but as an add-on so it’s a challenge to get decent lighting and backgrounds, not for the first time, or the last. Stoneash Blues Band is typical of a many of the local bands playing at this event; it’s all about the music. Most of these people do this for love and not because they have any expectation of ever becoming rich on the back of it. This band had all the chops, timing coming from years of gigs, loads of little anecdotes and a singer with a voice that was honey over gravel. What more do you want from a free gig?

We actually had a summer this year, too much of a summer for some of us but you have to make the most of it, droughts and all. It gave Allan a chance to get out and do something a little bit different with his gig photos. He’s probably the best person to tell you about the differences between his usual work and outdoor gigs during a long hot summer.

You spend the winter in dingy basements trying to wring the maximum out of your camera’s sensor in terrible lighting conditions and then you emerge blinking like a mole into the outdoors in the spring with a whole new set of challenges to contend with, but they’re good challenges. The increase in light levels creates opportunities for much sharper photos with better depth of field and freezing motion. Basically, you have more options to play with. Here are a few shots from this year’s outdoor gigs, including three from the summer sessions in the courtyard at St Martin-in-the-Fields.

Amy Taylor @St Martin-in-the-Fields

This is a really interesting gig; it’s in the courtyard of the church and it’s free admission with artists provided by Talentbanq. You can sit down in the sun and listen to great live artists and you can buy a coffee, a beer or wine and a snack and soak up the atmosphere. It’s fascinating to watch tourists and Londoners wander past, hear the music and decide to come in to hear what it’s all about. On this day, Amy opened up the proceedings  at noon. When she walked on stage the courtyard was empty, twenty minutes later it was half full and in another fifteen minutes it was packed. What was really interesting was that Amy’s original songs had a better reception than the few covers that are obligatory at gigs like this. It was fascinating to watch a gig build up like this.

Ags Connolly @Folk in the Park, Sutton

Folk in the Park was a festival in Sutton, Surrey put together by Sound Lounge owners Hannah White and Keiron Marshall, two very talented people who are totally committed to live music. The music was virtually non-stop throughout the day with two stages alternating to keep the interest high. The night ended with a storming set from The Magic Numbers, but there were lots of great artists performing on both stages during the day. Phil Hooley performed on the Folk/Americana stage and Dan Owens put in a storming show on the main stage, but my favourite photo of the day was of the Ameripolitan artist Ags Connolly, who was also having a belated birthday celebration.

Zoe Wren @St Martin-in-the-Fields

I spent a bit of time here over the summer, mainly because it was a lovely place to be listening to live music on warm summer days. When I first photographed Zoe, she was the archetypal singer-songwriter with an acoustic guitar but she’s added a few more elements to her repertoire now, including a loopstation occasionally, which broadens out her sound a little. She has a great collection of original material including the classic ‘London Town’ and has a few well-chosen covers for gigs like this one.

Hollie Cook @High Tide, Twickenham

High Tide Festival in Twickenham has been steadily building up over the last few years since Phil Penman and Kevin Jones from Eel Pie Records started the event in 2019. It’s a one-day event with a main stage at the end of the High Street and loads of satellite venues running smaller stages. The programming for the festival is always eclectic and even showcases up-and-coming local bands. It’s a fabulous family event and each of year I’ve shot there, the weather has been perfect. This year Hollie Cook was headlining the main stage with her reggae style that was just perfect for a glorious July day. This one was always going to be a colour shot.

Natalie Shay @St Martin-in-the-Fields

I’ve seen Natalie play in a wide variety of indoor and outdoor and watched over the years as her songwriting’s developed. She’s always been a confident performer and she knows how to go onstage and win over an audience. She’s also a very physical performer and seems to be in constant motion. Using a high shutter speed to freeze the action also meant that background distractions were out of focus and minimised.