YoyaSerbian singer Yoya Wolf (Jovana Vujnovic) was one of the artists who contributed to the Radio (in my) Head tribute/covers album in 2013 with a grungy cover of “Wolf at the Door” and it’s obvious from her interpretation that she’s a very gifted singer with a wide dynamic range.  The musicians accompanying Yoya on this single are: Miladin Stojkovic (Bass/double bass); Mladen Pecovic (guitars); Goran German (keyboards); Marko J. Kon and Ivan Bamby Mirkovic  drum programming) and Dajana Ivin (backing vocals).  “Open your Heart” is the first original release on Bandhouse Records and, as debut singles go, it’s a corker.

The song opens with some echoing piano chords sketching out a trip-hop feel followed by Yoya Wolf’s breathy, delicate vocal and a bass riff resembling Melle Mel’s “White Lines” and pauses for a beat before slamming into a “wall of sound” chorus with bass guitar and keyboards cranked up to eleven (at least).  The use of this dynamic pattern is repeated through the song with quiet sections (verses or breakdowns) leading into huge choruses before fading out on the sound of a heartbeat.  The playing is superb throughout and the constantly changing settings of the verse and breakdown are always resolved in the power of the chorus.  This is a twenty-first century love song (hence the Valentine’s Day release) but lyrically, you won’t find any mooning and juning here because this is dark and maybe a bit obsessive; it’s a proper song for grown-ups.

“Open your Heart” is a very good song and the playing is spot-on but the crucial element is Yoya Wolf’s voice; she covers a huge dynamic range and nothing ever sounds forced.  After hearing a couple of her songs, I really want to hear more; we’ll keep you posted on how you can hear more as well.

Just before publication of this review, we had the opportunity to ask her about the difference between recording covers and her own material.  Here’s what she had to say:

“When you’re doing covers, you are trying to blend into style and personality of the song you’re covering as well as the artist. That way you experiment with various types and genres, which gives you wide array of possibilities. When singing your own song, you use on subconscious level all that knowledge, but you don’t consciously think about it; you let the words, music and feelings guide you. Singing from the heart is what gives you that special something.”

“Open your Heart” is now available to download here.

So, how was 2013 for you?  The Riot Squad have had a brilliant year bringing you the best in contemporary music wherever we find it.  Allan, John, Klare and Louie have reviewed some exceptional live and recorded music throughout the year and we all thank you for reading our reviews and looking at our photos.  We couldn’t resist this opportunity to remind you of some of the artists we reviewed for the first time in 2013.

We saw live performances by the Emile Gerber Band (which became Stoneface Travellers), Henrik Freischlader, Josephine, Marcus Bonfanti (solo and with his band), The Kennedys, Federal Charm (twice), Black Casino & The Ghost, Coco and the Butterfields (several times), The Dirt Tracks, Carrie Rodriguez, Aynsley Lister, Civil Protection, Wheatus, Dean Owens and Zoe Schwarz Blue Commotion.  Quite a selection, really.

We reviewed albums and singles by Henrik Freischlader, Marcus Bonfanti, Sally Shapiro, Tomorrow’s World, Black Casino & The Ghost, Jimmy Livingstone, Austra, Tess of the Circle, Aynsley Lister, The Nyco Project, The Dirt Tracks, Nadine Shah, Sullivn,  Radio (in my) Head, Tal National, Layla Zoe, Kinver, Au Revoir Simone, DENA, Hartebeest, Polly Scattergood, Glasser, Annie, Emika and John Grant and probably a few others as well.  Along the way we had some great fun and met some lovely people; you all know who you are, and we’re hoping to meet most of you again this year.

Looking forward to 2014, we’re hoping for more of the same.  The review copies are already coming in and it’s starting to look pretty good already.  Over the next few weeks, we’ll be sharing some of our predictions for 2014 from the Riot Squad and possibly from a few guest contributors as well.  And, while we’re on the subject of guest contributions, many thanks to Aynsley Lister, Steve Jenner, Marcus Bonfanti and Billie Ray Martin for their contributions to our High Fives feature last year.

Radio (in my) Head editOK, the cat’s at least halfway out of the bag now so I suppose it’s about time we gave you a bit more gen on the Radio (in my) Head album.  The project was conceived a few years ago by Bandhouse Records MD John O’Sullivan as a college project at the London College of Contemporary Music.  He realised that Radiohead songs were a common frame of reference for musicians from all over the world and that every musician seemed to have an interesting take on a Radiohead song (although, personally speaking, I draw the line somewhere short of Brad Mehldau).  By 2012, the college project was completed, but the concept wouldn’t lie down; John had graduated from LCCM and started up the Bandhouse organisation, working with fellow alumni and new contacts on the London music scene.

But the expansion didn’t stop there; the internet (particularly Soundcloud and social media sites) enabled the project to become truly global with contributions coming from eleven bands and/or producers from (wait for it) Italy, Serbia, Russia, Israel, USA, Ireland, France, South Africa, Colombia, South Korea, Norway, Iceland, India, Singapore and Estonia (and good old Blighty).  I make that eleven tracks put together by contributors from sixteen countries.  I think that pretty much ticks the world music box.

I heard a few whispers about this project just over a year ago and that says a lot about how long it takes to get something like this together.  John got the official Radiohead seal of approval for the project at about this time last year, but the whole process of mastering, tying up all of the legal and publishing loose ends and generally giving the project the final polish it so richly deserves takes time, so here we are in September 2013 with the first single released and the album almost ready to go.

I really wish I could tell you more about the album at this stage but most of it’s still very tightly under wraps apart from Ido Livni and Re’ut Szekely’s cover of “Videotape” which was released today on iTunes.  What I will say is that I’ve heard pre-master versions of several songs and they’re all very, very good.  We’ve reviewed live and recorded material from several artists involved in the project here at MusicRiot and we can’t wait to hear their contributions.

We’ll have more news for you about this intriguing album very soon.

Videotape 1I know we’ve been teasing you with this for a year now but we’ve finally got a release date for the first single from the Radio (in my) Head project and the album’s on its way fairly soon as well.  The concept was initiated by the founder of Bandhouse Records, John O’Sullivan, as a college project at the London Centre of Contemporary Music and quickly spiralled out into an album featuring artists from across the globe.  But we’ll tell you more about that when the album’s released.

The lead single is Israeli producer Ido Livni’s collaboration with singer Re’ut Szekely on the 2007 “In Rainbows” track “Videotape”, which is backed on the single by “Untimely Storm”, a collaboration with Maria Gutman, Ori Livni and Tal Alagim.  Incredibly, Ido is only eighteen although most of the work on these tracks was done when he was seventeen.

So how does this version compare with the original?  The Radiohead version is built around traditional instruments (piano and bass mainly), but Ido’s version is a purely electronic and very percussive backing track full of squelchy analogue synth sounds and very heavy bass underpinning Re’ut’s sultry and soaring vocals.  The only rule I enforce with cover versions is that you make the song your own and Ido and Re’ut certainly do that with “Videotape”.  And the “B” side’s pretty good as well.  After a bit of a gimmicky start, “Untimely Storm” settles down into a trip-hoppy groove with a distinctive vocal and that’s good enough for me.

You’ll hear much more about the Radio (in my) Head album over the next few weeks, but this is a pretty good start.  Watch out for more news here.

Out September 24 on iTunes.

"Come Back" - Sullivn

“Come Back” – Sullivn

We’ve been giving you a few teasers about the Bandhouse organisation over the last year or so and now things have moved on a little and ideas have been translated into material ready for release.  I must admit I was confused when I saw the title and the artwork for the debut Sullivn single “Come Back”.  I thought for a few seconds that it was a cover of the 1984 Wah! single and, to be fair, the picture of singer John O’Sullivan does look a bit like mid-80s Pete Wylie.  Anyway, it’s a John O’Sullivan original and sounds nothing at all like the Wah! song;  it’s also very good.

On this single, John is joined by Simon Goudarzi and Joe Shimmin (guitars), Jon Mar Ossurarson (drums), Layla Kim (keyboards) and Sjur Opsal (bass) and despite featuring five musicians and a vocal, there’s actually a lot of space in this mix because none of the musicians overplay their parts.  The structure of the song is very simple; it’s a lost-love and missed opportunity ballad with a simple chord pattern which relies on the performances and arrangement to make it work.

The song opens with just a lead vocal and keyboard chords (and slight hints of guitar) for the first verse before the drums thunder in and the song gradually builds up to a full-on 70s style power ballad with the injection of a couple of prog-influenced breakdowns where John delivers some very effective Percy Plant-style wails just behind the guitars before coming to a close which is almost a cappella with just a touch of guitar harmonics.

The song is strong and you can’t fault any of the performances here, particularly the vocal which manages to convey fractured and splintered emotional intensity without ever quite losing control; never an easy balance to strike.  As a debut single, this is a statement of intent from Sullivn; I’ve heard more material in demo versions which suggests that this is just a taster for upcoming material; I’m looking forward to hearing more of it.

And don’t forget to keep an eye on MusicRiot for details of the Radio (in my) Head project in the next few weeks.

Out now as a free download (for a limited time).