High Fives 2014 – Guy Harries
We’ve published a few pieces about Vera Lynch this year and we were very sorry to hear that the band had decided to split at the end of October. Despite having an incredibly hectic schedule touring in Japan, former singer Guy Harries made time to tell us about his favourite five musical events of 2014.
These New Puritans live at the Barbican -- 17 April 2014
An astounding live show in which the band performed their spellbinding album “Field of Reeds” with a large ensemble (members of the Heritage Orchestra) and vocalists (Synergy Vocals), along with a couple of older material and a new track. The material is so nuanced, intricate and complex, that it was a wonder that it could be played live. I later found out that the performance was recorded and will be released soon.
Rediscovering Kate Bush’s more recent material
The whole buzz around Kate’s live comeback (which, alas, I did not manage to attend), encouraged me to have another listen to her album “Aerial” from 2005 (which I didn’t really think much of at the time), as well as her more recent “50 Words for Snow”. This time around, I found a deeply moving voice of an artist who is true to her own artistic vision, takes her time to move beyond short song -form to create atmospheric, personal songs with a melancholy touch that I highly recommend for these wintry months…
This musician stretches the boundaries of rap music in terms of sound, agendas, voices and looks. I particularly like his “Liquid EP”, in collaboration with producer Boody. His live performance in Hackney this year was no disappointment, revealing a charismatic artist, with some killer dance moves.
On the heels of their recent album “Mexico”, which is a return to form for this Icelandic band, the band performed in Koko, London in November. Underground house beats and soul-drenched vocals from Daniel Agust and Stephen Stephensen were a complete treat. Unfortunately, the set was too short and we had to shift to make way for the ensuing NME club night.
Aurora Orchestra playing Benedict Mason’s Meld at the Proms 2014
This spectacular piece makes use of the entire Albert Hall, with musicians constantly moving throughout the whole space, including the galleries, entrance corridors, back stage, and audience area. It questions what a musical performance or classical concert is and was utterly immersive.