“Gone” – Tim Grimm

5 stars (out of 5)

0

I’m fascinated by the way current affairs are reflected in the arts generally and music in particular. The last few years have seen the resurgence of the protest singer and the protest song and, to use pandemic terminology, in 2020 the resurgence has been exponential as the time approaches when America has to make another choice of President and the majority of creatives are making it clear where their support lies. The trajectory of Tim Grimm’s trilogy of Trump singles (“Woody’s  Landlord”, “Gonna be Great” and “Gone”) reflects the response of many of the many American artists I’ve seen or heard over the last four years – from amusement at Trump’s candidature, through disbelief at the election result to horror and despair at results of four divisive and confrontational years.

“Gone” is where the rope runs out, in the middle of a botched response to a pandemic and the most unprincipled and vicious American presidential election campaign in living memory. This could have been a very angry song, but Tim takes a different path. “Gone” emphasises the despair felt by some Americans at the state of their country. It would have been very easy to push the highly emotive buttons, but Tim doesn’t do that, musically or lyrically. “Gone” is a sparse, slow, unshowy country-rock arrangement with lyrics that are allusive; no names are mentioned although we know it’s about Trump and we know that ‘And the man who brought us Paradise has laid down his guitar’ is about the loss of John Prine.

Subtlety is crucial here, probably as a deliberate contrast with the methods of POTUS. We don’t need to have everything hammered home in detail; we should be able to connect the dots and see the patterns ourselves. It’s an important message in an era where aggressive confrontation seems to be the accepted norm and it’s a welcome respite.

“Gone” is out now on Cavalier Recordings (CR255931).

And here’s the video: