14) High Fives 2019 – Allan’s Colour Photos 1

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Well, we’re hoping to bring you some great photos from some of the best live music photographers on the circuit as part of this High Fives season, but until then you’ll have to make do with another selection from our resident snapper, Allan McKay. This time he’s picked out a selection of colour shots of male performers from a widely varying range of venues.

 

 

John Crimes (Jaxhill)

This was taken at Leek Blues and Americana festival in October of this year. This is a great community event staffed by volunteers and features a stack of free events in the town’s pubs (there are a few of those) plus a small number of ticketed events, over a period of 6 days. The smaller events are interesting because they don’t usually have any stage lighting, so it’s about playing the hand you’re dealt. Turning away from singer Mike Gledhill, I noticed that John was beaming out this 100—megawatt smile. Press the shutter button and there you go.

Maceo Parker

This shot was from Maceo’s show at The Roundhouse as part of the Innervisions Festival in 2019. Why do I like this festival? Easy, you can go home at the end of each gig, have a shower and sleep in your own bed. This shot was a combination of planning and luck. I saw Maceo place the wooden ‘Love’ sculpture on the stage and thought that there must be a way of working it in to a shot. After trying the sculpture on its own and as an out-of-focus foreground, Maceo walked to the back of the stage and there was the shot. I like to take away a lesson from every gig. The lesson here was that LED stage lighting and a shaven head isn’t a great combination.

Martin Harley

Leek Blues and Americana again, and this was the first ticketed event of the festival at the wonderful and intimate Fowlowe Theatre. I’ve photographed Martin before, but usually in much smaller venues, acoustic, and with upright bass player Daniel Kimbro. This time he was leading an electric trio and, apart from the Weissenborn songs, playing standing. The combination of those things with the heavily-modified Stratocasters created opportunities for some images that were very different from past gigs. And there’s a bit of the lead guitarist thing going on there as well. Combine that with decent stage lighting and you’ve got a shot.

Lewis Bewley-Taylor (Hardwicke Circus)

Hardwicke Circus is cracking young band from Carlisle with great songs, bags of energy and presence, and a hint of early seventies-era Stones. They’re managed by the legendary Dave Robinson and they’re always worth seeing live. This shot was from the newly-refurbished Bedford in Balham. It’s always had a reputation as a great music venue and it has one huge bonus for photographers; it has a balcony over the back part of the stage allowing you to shoot from above, which works well for drummers and keyboard players. The shot was made by the seventies prog-rock setup and the carpet and the use of an unusual viewpoint. You really want a bit of trivia don’t you? The band’s name is taken from a traffic island in Carlisle.

Jim Maving (Dean Owens and The Southerners)

Taken at The Exchange Theatre in Twickenham. Jim is a stunningly good guitar player who has spent some time recently working live with Dean Owens and Tom Collison. Jim isn’t keen on being photographed, but was good enough to tell me that he liked the shots I’d done at this gig. The thing that I really like about this shot is that it captures some of the intensity of Jim’s playing and the purple stage lighting (not normally my favourite) works really well with Jim’s silver hair.