“Whatever you Wanted” – Bob Bradshaw

4 stars (out of 5)

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Bob Bradshaw Cover TitleBob Bradshaw’s sixth album, “Whatever you Wanted” is a collection of songs inspired by the musical styles he’s been exploring in his adopted country, America, taking a leisurely stroll through various styles and adopting arrangements and textures from new country, old country, roots, and tex-mex along the way. The instrumentation on the album covers a wide range, from the reined-in acoustic, electric and strings of the opening song “The Start of Nothin’” (not sure that I would want to open an album with that particular message) to the old soul vibe of “Before” with horns, Hammond and strings creating a lush background for the laconic vocal. The arrangements all have a very light touch, and “Before” still seems to have lots of space even with trumpet, flugelhorn, trombone and strings adding spice to the percussion, bass, guitars and keys.

The songs are all well-crafted and very listenable, but Bob Bradshaw’s voice is the real selling point for the album; it’s warm and soulful and the close-miking creates a very intimate feel that shifts seamlessly from the silky, Chris Izaak-like “Crazy Heart” to the Bob Seger feel of the album’s perfect closing track, “The Long Ride Home”. The lyrical themes shift from the opening song’s nostalgia, through several breakup songs (including the title track and the album’s most raucous song, the swamp rock of “Losing You”), introspection (“Dream” and “High”) and the allegorical “Sparrow”, which has more than a hint of “Norwegian Wood”.

It’s certainly not a chore to listen to “Whatever you Wanted”, but, for me, everything fits into place on the album’s final song. “The Long Ride Home” is a superb little vignette, evoking perfectly the band on the road leaving the scene of the crime. The backdrop is minimal with only piano, guitar and lap steel supporting Bob Bradshaw’s laconic, world-weary, end-of-a-long-day vocal and the Bob Seger comparison’s difficult to resist, the theme bring the same as Seger’s road classic “Turn the Page”.

As a whole, the album suffers a little from the Bob Bradshaw’s eclecticism; every time you think you’ve got a grip on it, a new style comes along and it slips out of your grasp. There’s nothing you wouldn’t want to listen to again, but it never quite seems to hang together and it feels like you want the band and Bob to really cut loose and rock out a little. After the first eleven tracks, it’s a very solid three-star album, but the final song ensures that the album creates a haunting impression that fixes it in the memory.

“Whatever you Wanted” is out on Friday November 13th on Fluke Records.