“Dance a Little Closer” – The Kennedys
So here’s the latest offering from The Kennedys and it’s a live one, whichever way you look at it. It’s another symptom of the ways things are moving in the world of music today that more and more bands are releasing live CDs. It’s so easy to do now that it’s become another part of the tour mechandise package but it can still be something special, immortalising a unique performance in the way that certain live vinyl double albums did in the 70s. “Dance a Little Closer” is one of those albums.
Pete and Maura Kennedy have a long-standing professional relationship and friendship with country singer Nanci Griffith, who brought them together on stage in 1993 as members of her Blue Moon Orchestra and the “Dance a Little Closer” tour was a tribute to Nanci and her songs. The Kennedys took a selection from Nanci’s huge body of work and created arrangements for two voices and two guitars, proving that a great song is great song whether backed by a band or single guitar. “Dance a Little Closer” was recorded towards the end of the American leg of the tour at The Turning Point in Piermont, New York in April 2014.
The pacing of the album is perfect; after the mid-tempo opener, “I Wish it Would Rain”, the slower songs like “Late Night Grande Hotel” and “From a Distance” are mixed up with the medium tempo “Across the Great Divide” and “I’m Not Driving these Wheels”, and the faster, driving, “Love Wore a Halo” and the album’s closer, “Hell No, (I’m Not Alright)”, co-written by Maura and Nanci. “Trouble in the Fields” was written in the 80s, comparing that time to the Great Depression, but seems equally valid in the second decade of the twenty-first century with Pete’s understated intro and solo emphasising Maura’s poignant vocals. “Lone Star State of Mind” is a nostalgic romp through good old Texas memories, while the wistful “There’s a Light Beyond these Woods” is a perfect evocation of a lasting childhood friendship. “Gulf Coast Highway” is another story of ordinary people getting by with some lovely vocal harmonies from Pete which give the chorus a very plaintive edge. “Ford Econoline” is a rockabilly (almost skiffle) run through the story of a housewife leaving everything behind her in Utah to take to the road and a singing career; you can almost hear Pete and Maura grinning at times.
The album’s title comes from a line in “Love at the Five and Dime”, a classic ˊlove conquers allˋ song where the main characters are musicians. Pete’s finger-picking and Maura’s vocal are reminiscent of the first Rickie Lee Jones album (always a plus for me), while the song reminds me slightly of Richard Stekol’s “Yank and Mary” as covered by Iain Matthews (an even bigger plus). It’s a beautiful song and a perfect rendition here. The instrumental and vocal performances throughout the album capture the mood of each song across a range of moods from melancholy through wistful to celebratory. All that with two guitars and two voices.
And then, there’s the songs. As Pete Kennedy’s sleeve notes tell us, these songs are a road map of America, from Nova Scotia to the Gulf of Mexico, but they’re also about real American people and issues and they have an impact which goes far beyond three minutes of music. The album’s a limited edition but there are still some copies available on The Kennedys website.