“Back to Forever” – Lissie

4 stars (out of 5)


Back to ForeverThis is singer-song writer, Lissie’s second album after her acclaimed 2010 debut, “Catching a Tiger”.  That album branded Lissie a ‘folk’ artist, but her follow-up, shows she’s made of much more musical variety.  ITunes brands it ‘folk/country’ but it’s probably more ‘rock/pop’.  Much of the production duties fall to the producer of REM and Snow Patrol and you can tell this, in fact it’s the production where I find fault, the album sounds rather muddy and crowded throughout, especially in the bass tones, lacking the light touch of her first effort.  The sound is more drivetime-friendly and stadium-ready; I don’t want to be like a Dylan fan erupting in rage at his first electric album, but if you like this type of Americana, there is plenty to sing along to.  Arguably, it might be hard to produce a unique sonic experience anymore with the standard guitars, bass, drums and keyboard, even with the range of tempos, themes and moods we have here.

Despite the carpet-bombing of her marketing team, Lissie has been rather over-looked, although “When I’m Alone” made it to iTunes best song of 2010.  Perhaps this is partly due to her not being either air-brushed or especially grungy, but she is starting to sell out stadiums across Europe and is currently performing dates in the UK.  This fuller sounding set of 12 songs (some extras with the deluxe version), are all originals written by California-based Lissie and the band.   The lyrics and music are all good, launching with the uptempo “The Habit”, ‘You’ll never get out/And you’re always gonna be an addict/ The heart breaks way before the habit’ and it’s these touches lyrically that make the album, along with her vocal timbre.

I don’t have a favourite amongst these tunes but there’s no real filler either.  The singles are here, “Further Away (Romance Police)” and “Sleepwalking” and they’re bouncy enough to get Radio 2 airtime, but also check out the slower “They All Want You” for a greater exhibition of Lissie’s voice.  This is not a concept album but a collection of songs about relationships and issues, including low pay, the anthemic “I Don’t Wanna go to Work” and the glamour industry, “Shameless”.  (‘I don’t want to be famous, if I got to be shameless’).

I was going to award this album 4*, but that’s the figure I gave the first album and I do believe that’s better, or perhaps I prefer her earlier, more acoustic sound, so maybe just 3.5 stars for Back To Forever.  Out now.


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