Next up in the MusicRiot 2016 High Fives is a contribution from Dallas bass player, songwriter and manager Ward Richmond, better known as The Warden. There are some great lines on his eponymous album released earlier this year, including (from the raucous “Our Town”) ‘Miller Lites and shots and fights’ and the run-out at the end of “Sun Goes Down” which sort of sums up the album: ‘What it lacks in proficiency and accuracy is surely duly matched in sheer moxie’. Many thanks to Ward for sharing his favourites with us. If you’re particularly observant, you might notice that there are actually six entries here; bass players always like to go one higher. And DFW is Dallas/Fort Worth.

margo-priceMargo Price – “Midwest Farmer’s Daughter”

This one by far is my favorite album of the year. 10 Thumbs up. Once “Hands of Time” comes to an end, you will be in love with this woman – and her songs.



luke-bellLuke Bell – “Luke Bell”

Pure old school Texas-style honky-tonk. Do yourself a favor and watch the music video for “Sometimes”. It makes me want to move to Nashville and be roommates with this dude.



cody-jinksCody Jinks – “I’m Not the Devil”

Cody is from the Dallas/ Ft. Worth area. George Strait meets Waylon Jennings. The real deal. The title track says it all.




vandoliersVandoliers – “Ameri-Kinda”

Another DFW band. The scene here in North Texas is really becoming the strongest that I’ve ever seen it over the course of 20+ years of playin’ around town and the Vandos are leading the charge. If “Bottom Dollar Boy” doesn’t get your toes a tappin’, then I don’t know what will…

the-osThe O’s – “Honeycomb

And another DFW band. Are you pickin’ up what I’m puttin’ down, yet? This has to be my favorite Alt Folk duo in the world. The O’s also happen to be two of my good friends and bandmates in our project, Boys Named Sue. “Retribution” is my favorite track. I wish I wrote it. (We loved this at Riot Towers as well).


paul-cauthenPaul Cauthen – “My Gospel”

I met Paul literally 30 seconds after I met Kris Kristofferson. The next thing I knew he was onstage singing a song with Kris. “Still Drivin’” is my anthem for 2016.

Product DetailsCash Back” is the second album to be released by Dean Owens in 2012, following “New York Hummingbird” earlier in the year and it’s built around a really interesting idea; a tribute to Johnny Cash on what would have been his 80th birthday comprising songs written by, or covered by,  Johnny (with one very notable exception).  It’s also a tribute to Dean’s good friend and mentor, the late Bob Delacy. 

The concept’s great, but the finished article is even better; Dean has tackled songs written by some songwriting legends including Jagger and Richards, Bob Dylan (“Girl from the North Country”), Kris Kristofferson (“Sunday Morning Coming Down”), Johnny Cash himself and our old Riot Towers favourite Nick Lowe (“Without Love”) and the result is a well-rounded, beautifully played and engaging set of songs.

The playing throughout the album is beautiful, particularly Will Kimbrough’s guitar (and various other instruments) and supports Dean’s plaintive tenor voice perfectly.  It’s difficult to pick out highlights from this set because there isn’t any padding, but I’ll give it a try.  The album opens with the lively 1968 Jagger/Richards song “No Expectations” featuring some great playing throughout from Will Kimbrough and has a similar feel to Albert Lee’s “Country Boy” (but a bit slower) before moving in to the more laid-back “A Little at a Time”(which also appears later in a stripped-down bonus version).

The album as a whole is a demonstration of the variety in Johnny Cash’s work, but never more so than in following the heartbreaking, poignant “Give My Love to Rose” with the jaunty nastiness and casual violence of “Delia’s Gone”.  Well, this is the man who sang “I shot a man in Reno just to watch him die”.  The traditional ballad, “Wayfaring Stranger” moves the tempo up a few notches from the Cash version and you realise that Paul Weller probably started “Wild Wood” from the same source.

Towards the end of the album, there’s a sequence of songs by truly great songwriters such as Nick Lowe, Bob Dylan, Kris Kristofferson and David Allan Coe (who wrote the Johnny Paycheck classic ”Take This Job and Shove It”) which almost bring the album to a close.  The first bonus track is a version of “I Walk the Line” which contrasts the original’s baritone growl with Dean’s more vulnerable tenor as the song bounces along for the first three verses.  To add drama to the fourth verse, you might expect a trucker’s gear change or a tempo shift but instead Dean shifts the vocal up an octave towards the top of his range for an even more dramatic effect.

Which leaves one song to tell you about.  As a songwriter, Dean was always going to want one of his own songs on the album and it’s fair to say that it’s a belter.  “The Night Johnny Cash Played San Quentin” is as good as anything else on the album, framing the legendary prison appearance within the story of a death row inmate who was at the show and keeps it as a memory he treasures above everything else on his way to the chair; Johnny would have been proud of this one.

If there’s a country music fan in your life (or someone who likes great music, whatever genre), this album will make a great surprise present for them.  Even better, get out and see Dean performing live on his next tour in the spring of 2013; you won’t regret it.

“Cash Back” is out now on Drumfire Records (DRMFR013).