“Out of Darkness” – The John Williams Syndicate

4 stars (out of 5)

1

SEO – search engine optimization; it’s a hugely important factor in having an online presence. This particular John Williams has spent a long (and hugely productive) time under the radar in the music business. Now he’s released an album under his own name and he has to compete with a world-renowned classical guitarist and an equally-renowned film soundtrack composer. John Williams of the John Williams Syndicate has plugged records, produced records and BBC sessions, headed up an A&R department and made his own records. So it’s about time to make a few calls to former clients, and a few new discoveries, and work on that solo project in the shed at the bottom of the garden.

There are a lot of things to admire about “Out of Darkness”; as you would expect, the quality of the playing is masterful and the standard of the arrangements and production is superb. As well as pulling in vocal contributions from Petula Clark and Claudia Brücken and a co-write with the legendary Iain Matthews, John also enlists upcoming singers Slicko DiCaprio, Amber Prothero and Isabella Coulstock for lead and backing vocals on the album. Which brings me to the only minor criticism I have; with so many different singers and varied musical stylings, it’s difficult to find a sense of musical cohesion across the album as a whole, although there is a theme of renewal, springing out from the penultimate song, “Nothing” which, unusually, has some lyrical popular culture references set against a seventies singer-songwriter arrangement (maybe a hint of Al Stewart) with a vocal that hints at Stephen ‘Tintin’ Duffy’s Lilac Time period. Everything else on the album is a consequence of this rebirth.

Picking out a few standout moments, “Spanish Song”, co-written with Adrian York, Isabella Coulstock and Slicko DiCaprio, is the most contemporary pop song on “Out of the Darkness” with a Latin tinge and some interesting Spanish/English counterpoint vocals. The album’s final song, “Don’t Give Up on Me”, also has a Latin feel; the lyrics are minimal, but the playing is outstanding with lots of mini solos, including a sax/trumpet counterpoint solo; it’s memorable. “You Got Me from Hello” is cool jazz with Latin rhythms in a Carlos Santana/Rob Thomas style, while the piano-led “Luminescent”, with programmed percussion, nods in the direction of early Kate Bush.

This album is a serious musical project from a serious player; even the packaging is lush, with a thirty-two page booklet containing credits, lyrics and some Tim Hobart abstract paintings. The contributions from the established musicians are predictably excellent, but it’s even more gratifying to hear emerging talents like Isabella Coulstock, Amber Prothero and Slicko DiCaprio taking the opportunity to shine.

“Out of Darkness” is out on Friday June 6th on Wulfrun Records (WULFRUN 1).

And just to give you a flavour of the album, here’s the lockdown video for “You Got Me From Hello”:

Comments

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