Here’s a few more shots from Allan with a slightly different twist this time; none of them are live performance shots. We’ll let him explain.

I always like the challenge of doing something a little bit different; new artist, new venue, just change things up a bit. The shots featured below happened for a variety of reasons and the one thing they have in common is that they aren’t onstage shots. They’re all shot with available light and not really posed; it’s more about letting the artists arrange themselves and trying to capture the moment where it all works.

The Velveteen Orkestra @Pizza Express

This was a very, very impromptu shoot. I was packing away my gear after the gig and Dan asked if I could just do a few shots that they could use for promotion. He asked me where he wanted the band to sit and Sarah was already sitting under a downlighter where she was perfectly lit. The only thing I had to do was seat the band together and fire the shutter as they stared grinned and flicked the v’s. This is one of the two shots that I really liked from the shoot, because it captured something essential about all three characters.

Simba Jindu @The Camden Chapel

This was Saara Kaldma’s first headline gig. Simba has played drums alongside Saara in various line-ups, including Lisa Canny’s band and he’s great percussionist as well as being a genuinely lovely guy as well. When I shoot at The Camden Chapel, I always try to get a few soundcheck shots because the show lighting can be a bit under-powered; very atmospheric but challenging for available light photography. I tend to shoot low-key, high contrast stuff, but this shot works as a high-key shot, emphasising the optimism of Simba’s infectious smile.

KAT ‘Rise’ video shoot

Whenever I get a message from KAT inviting me along to a shoot I know it’s going to be interesting, whether it’s a gig or a video shoot. This was a video shoot for KAT’s song ‘Rise’ at a church in Hoxton where KAT played an angel. The lighting was a bit of a challenge, but I think we just about got away with it.

Belle Roscoe@Pizza Express

Another impromptu Pizza Express shot, this time in the famous Green Room. Julia Gurry popped her head round the door of the Green Room and asked me if I would take a few shots. As younger brother Matty will tell you, that’s not really a request, it’s a summons. Anyway, the light’s pretty good, so I was happy to have a go and I think the result was pretty good. It was a rush job that I missed the fact that the toilet door was open and you can just see the toilet bowl. You can also see that Brother Strut have left their mark – I included that deliberately.

Morganway@Green Note

The Green Note gig that sold out without any artists being announced. It was billed as ‘The Road to Madison Square Gardens’ (the one in New York and not the proposed monstrosity in Stratford) and it was Morganway supported by Isabella Coulstock. Kari Jones (the sensible side of the Jones partnership) wanted a few shots with Morganway, then we moved on to shooting the band on Parkway outside Green Note. I liked the city backdrop of Camden Parkway and the band always look great.

We like to try something different now and again. It’s the challenge. Allan, as we probably know likes a challenge, which gig photography always provides. This year, as new connections have been made with artists and managers, opportunities have come up to try a few other things away from stage performance. And why not? Over to Allan.

Eleni (Echo Wants her Voice Back) Camden Chapel soundcheck

I’ve photographed Eleni a few times over the last few years and she’s a joy to shoot. Her face is always animated and her wardrobe is always striking. And the music – it’s a mixture of pop, r’n’b and Hellenic Noir and it’s very dramatic. Add to that Eleni’s striking and powerful voice and some unusual arrangements and you have a potent mix. When she played the intimate Talentbanq venue The Camden Chapel in January this year, I turned up for the soundcheck to grab a few shots in a fairly relaxed environment. Even at a soundcheck, Eleni’s still a performer.

Nicky (Morganway) 229 Soundcheck

Another Talentbanq gig at a slightly bigger venue than The Chapel. This one was a celebration of Talentbanq’s fifth birthday and Morganway, one of my favourite bands, was playing so it was an opportunity for a catch-up and another chance to shoot an incredibly dynamic band in action. Soundchecks, apart from the full band run-through, can be a bit tedious for band and onlookers alike but there can be some gold there if you keep looking for it. Nicky (Nicole J Terry) is Morganway’s violinist (or fiddle player, however you call it). On stage she’s a bundle of pure energy, playing, singing and dancing as if her life depended on it. After doing a quick line check for her violin and vocals, Nicky took an opportunity to relax as the stage light were being set up. She was completely relaxed, which would have made a nice photo, but I was able to line the shot up with a light shining from directly behind, which really made it ping.

The Slacksons, Hanwell Hootie post-gig

I’ve shot The Slacksons a few times now as well. Their crowd-pleasing blend of samples and live instruments with Mikey and Andy out front pinballing around the stage make them a great live attraction. I first met the band through one of those weird music business coincidences – their manager has the same name as my sister, so obviously when we connected on social media, I thought my sister’s account had been hacked. So I ended up shooting a few of the band’s gigs including their appearance at he Hanwell Hootie this summer. We decided to do some post-gig pictures which involved about two minutes shooting and forty-five minutes rounding up the band. I liked this shot with their manager making an appearance as well.

Kat ‘Liar, Liar’ video shoot

Kat, like Eleni, is a singer-songwriter and actor (also a radio presenter). I’ve shot a few of her gigs and got an invite to do some behind-the-scenes photos at the shoot for the video of her single ‘Liar, Liar’ in April. Not something I’d done before but I’m always ready to take on something new. If I’m honest, it’s a bit like a soundcheck, you just keep your eyes open for anything interesting, keep out of shot and don’t cast any shadows on the shot. Kat’s another person I love to photograph, mainly because the results are always good. You can probably see what I mean.

Lyndon Morgans & Phil Burdett, St Pancras Old Church

Bit of a change of style here. I’ve known Phil for a few years now and he introduced me to Lyndon (Songdog) just before the plague. When I heard about this gig I was really pleased because I haven’t shot Lyndon before. Only one problem, I already had gig that night, shooting Stone Foundation and Graham Parker at Koko. Fortunately the two venues are only a few minutes apart and the Stone Foundation gig had an early curfew so I had a swift walk over to SPOC to catch the end of Lyndon’s set. We went back to The Green Room to speak to Lyndon and the obvious photo opportunity came up. Here’s one of the results.

A couple of bonuses

Here’s a couple that are almost gig photos. After Kat’s launch party for the ‘Liar,Liar’ gig at Piano, the band was so up that I had to try to capture the moment. The Morganway shot, from the same gig as the earlier shot of Nicky was planned in advance because I’d always wanted to take one of those shots at the end of a gig from the drum riser. The lighting wasn’t ideal and there was too much smoke bit I still like the moment the photo captures.

Here’s Allan’s final set of photos for this restricted year. He’s saved the monochromes until the end this time and we think we can see why.

All but one of these photos were taken before the first lockdown (incidentally, using bodies and lenses that have all been replaced now, if anyone’s interested) and they’re examples of the different reasons for using monochrome processing. I started taking family snaps in the sixties using black and white 120 roll film and I’ve had a bit of a nostalgic soft spot for it ever since (I was way too young to know anything about the culture wars over monochrome/colour played out by the pros – there was just no way I could afford colour film at that time). Moving forward nearly sixty years, I’m enjoying monochrome photography again, this time as an option.

Will Sexton @AMAUK Showcase January 2020

Will Sexton is the musical and marital partner of Amy LaVere and they played as a duo at AMAUK in Hackney this year. One of my usual reasons for monochrome processing is bland stage lighting and that was the case here as well. However, as soon as I flipped from colour, the shot took on a whole new meaning. Will’s stage image took the shot back about sixty years and evoked Ronnie Hawkins and maybe Duane Eddy. From Hackney to Memphis with one toggle:

Roseanne Reid @AMAUK Showcase January 2020

Yep, that Roseanne Reid; daughter of Craig of The Proclaimers and a cracking writer and performer. This wasn’t a question of the monochrome processing as an option, it was a necessity because the lighting was horrendous. It took a bit of time to find the angle where the lighting worked, but it was worth it:

Hope Winter @The Bedford

Oh those happy days at The Bedford when you could wander round the entire venue without a mask and get up really close to the artists with a 35mm lens. There’s a lot of luck involved in this because I happened to be right in front of Hope when she dropped really briefly into this pensive mood with her long hair highlighted and the embroidered jacket picked out perfectly:

Nicole Terry @The Essex Arms Brentwood

This was only a few weeks before lockdown. I was with my mate, fiddle and mandolin player Steve Stott who was seeing Morganway for the first time. I love Morganway; I love the quality of the playing, the songs and the energy. Nicole is a ball of fire on stage so this shot is a bit uncharacteristic, but it shows a contrast with her usual frantic bowing and backing vocals in one of those serene and focussed moments:

Iago Banet @Luna Lounge, Leytonstone

Just a few weeks ago, but it seems much longer now. This was an Acoustic Sanctuary livestream with Foxpalmer from the basement of Luna Lounge (which is a great venue) that I was invited to shoot some stills for. If you get a chance to see Iago solo or with ColorColour, I recommend you take it; you won’t be disappointed. This was one of those gigs that had monochrome stamped all over it from the start. Iago’s fairly mobile on stage and it’s usually just a question of catching the right moment:

Is anyone ready for a few more of Allan’s photos? He hasn’t had the bumper gig year he was expecting but he still managed to get in a few before lockdown, a few over the summer and a few more after lockdown lite. Let’s see what he has to say about this set of images.

From the end of January 2020 it was obvious that 2020 wasn’t going to be a normal year for anyone. I was cramming in as many gigs as I could get pre-lockdown and hoping that post-lockdown might be a bit easier; so much for that. Over the last few years, I’ve done a fair amount of monochrome work, partly because it worked for certain images and partly because of lighting that was a bit meh. At the limited number of gigs I’ve done this year, I’ve had some decent lighting for colour, so here we go:

Tales from the Towpath (1)

Belle Roscoe had an album to promote and very few opportunities of getting punters to gigs so someone had the radical idea of taking the gig to the punters; on a barge. Starting at Hackney Wick and moving north during the afternoon. This was the second time I’ve shot a gig on a barge. The first one was at Kings Cross on a gorgeous summer day; this one wasn’t quite so warm, in mid-October, but the sun was shining. Matty Gurry just looks like a rock star (as does his sister Julia); all you have to do is get the right angle and press the shutter. I suppose the wind-swept look didn’t do any harm either:

Tales from the Towpath (2)

The album Matty and Julia were promoting (and still are) is called “Talking to the Walrus”, so why not have a walrus to help with the promotion. Not a real one obviously, but a very sinister walrus mask. Now, it’s not every day that you get introduced to a walrus, is it? Did you know they speak with an Australian accent? So, a photo of a walrus in a naval jacket? Works for me:

Greenwich Blues & Beer, Eddy Smith

Eddy Smith has a great blues/rock/soul voice and is a cracking keyboards player. He’s also a really good bloke. I’ve photographed him many times, solo and with his band. Eddy creates on particular problem for photographers; he wears a baseball cap which throws a shadow on his face when lit from above. Fortunately at this gig at The Old Joinery in Greenwich he was lit from below and not in full-on blues shouter mode. The soft, warm lighting emphasises the serene mood of the shot:

Greenwich Blues & Beer, Georgia and the Vintage Youth

From the same mini-festival at August Bank Holiday, I had another opportunity to photograph Georgia Crandon. It doesn’t matter how many times you photograph Georgia, you always get something different. The look is never the same for any two gigs and it’s always interesting. Like the previous shot of Eddy, the lighting’s quite soft and portrait-friendly and Georgia’s rose-tinted glasses add the finishing touch. I’ll be photographing Georgia in 2021, absolutely no doubt:

SJ (Morganway)

Two weeks before the first lockdown I met up with my friend, mandolin and fiddle player Steve Stott in Brentwood to introduce him to the Morganway experience. If you haven’t seen or heard Morganway, you really should. If the world returns to something resembling normality in 2021, they should be playing bigger venues and building a massive fanbase. They are the real thing; a live band where everyone plays an important part and they and do the whole lot from unplugged acoustic to no-holds-barred rock. Here’s singer SJ, giving it plenty:

Bit of a bonus, here’s Morganway’s “Hurricane” live:

Morganway – Hurricane [OFFICIAL VIDEO] – YouTube