I first saw Bobby Bandiera play in June 1995 at The Leadmill in Sheffield as part of an unplugged-style tour with Southside Johnny.  I know; it’s a huge surprise that I was at a Southside Johnny gig, but you have to take my word for it.  Looking back at it with the benefit of nearly twenty years of hindsight, the tour was probably an attempt to find out if Southside still had a following in the UK and whether a tour with a full band was a viable proposition.  On the night, Johnny and Bobby were outstanding; it’s surprising how much variety you can squeeze out of two voices, a guitar and a few harmonicas.  They played every request that came from the audience and proved that good songs are still good songs when all of the arrangements are stripped away.  Before the gig, I knew that Southside was a great singer and harmonica player; after the gig, I knew that Bobby Bandiera was a hugely talented guitar player and a very, very good singer.

Bobby played in various bands on the Jersey shore following his debut in 1968, building a reputation as a gifted player and was considered as a replacement for Steve Van Zandt in The E Street Band for Springsteen’s “Born in the USA” tour.  It didn’t happen, but in the following year he joined Southside Johnny and The  Jukes, following the departure of Billy Rush and kicked off a collaboration which has lasted for nearly thirty years.  I’m guessing that playing in The Jukes isn’t as lucrative as playing in the E Street Band, but it has other rewards.

I’ll come back to this later, but I truly respect any musician who naturally leads a band (whether it’s as a singer, guitarist or songwriter, and Bobby is all three) and can also take a back seat for a while and just be one of the players; Jimi Hendrix couldn’t do it, and he wasn’t the only one.  When Bobby joined The Jukes they were mainly functioning as a live act and releasing albums that only the dedicated fans were buying but, from the very start to the present day, they remain a live phenomenon and Bobby has always been a perfect fit for Southside’s live performances.  I’ve heard a story, from someone who knows, that Southside always likes to test any new Jukes (and there have been plenty of those) by suddenly, mid-gig, calling a tune that they haven’t rehearsed.  I’m willing to bet that he never caught Bobby out that way because according to Billy Walton, another hugely versatile frontman and supporting guitarist, Bobby’s memory for songs is legendary.

There must have been a settling-in period but I’m guessing that it didn’t take very long for Bobby to become a perfect foil for Southside and give the singer a chance to drop down a few gears during live sets by passing the baton to his guitarist for a few songs.  Leading any band isn’t easy, especially if you’re talking about nine or ten musicians and having Bobby Bandiera as a trusted lieutenant (in the same way that Springsteen has Steve Van Zandt in the E Street Band) helped keep the Jukes a tight live unit while adding another great voice to the mix.  Any musician who joins The Jukes has to be a gifted player; you don’t play the same set night after night and you never know which song (or version of a song) is coming next.  Apart from the challenge, the upside of this is that the musicians never get bored or complacent.

During twenty years with the Jukes, Bobby has also released three solo albums and continues to play live in New Jersey with the Bob Bandiera Band whenever he’s not touring in his current day job .  Did I forget to mention that Bobby has been touring as part of Bon Jovi’s live set-up since 2005 in a supporting role?  He’s usually described as rhythm guitarist, but I’m going to get all controversial on you here and say that there’s much more to it than that; the reason that Jon Bon Jovi wanted Bobby Bandiera in the touring band is that he needed a safe pair of hands.  If your lead guitarist has had well-documented substance and reliability problems, then you need a reliable backup plan and Bobby Bandiera is about as reliable as they come; a tremendous guitar player who also adds very strong vocals.  In April 2013, Richie Sambora left the tour at short notice and, in Canada, for one night only, Bobby Bandiera shook off the rhythm guitar tag and took on all the guitar duties, doing the job that he was brought in to do.  It didn’t last long, as another shredder, Phil X, was brought in the next day to replace Sambora.  And that incident kicked off all the predictable online spats between fans and friends on various sides of the debate (and not a serious word from any of the protagonists).

For what it’s worth, I’m not keen on bands bringing in extra players (for whatever reason)without giving them full bandmember status but, ultimately, it’s up to the players involved to do what they think is right.  I don’t think you can criticise a musician for taking a supporting role which (presumably) pays well without the dubious benefit of a spotlight and big-screen shot; it’s a hard world out there as a professional musician and it’s getting harder.

I know it’s difficult if you live in the UK, but the best way to appreciate the artistry of Bobby Bandiera is to see him live.  You can find YouTube clips of “C’mon Caroline” and covers of “Like a Hurricane” and “Baba O’Riley”, but the quality’s variable at best, and it’s almost impossible to find his albums online (at least at anything less than eye-watering prices). So, I guess the best I can hope for is that Jon Bon Jovi takes an extended break and Bobby comes back to the UK on the next Jukes tour; it’s unlikely but if it does happen, Music Riot will let you know about it then it’s up to you to go out and see him.

Some guitar players throw shapes and use smoke and mirrors (and the occasional wind machine) to grab your attention, but Bobby Bandiera doesn’t need any of that; he just has to play and sing.  He’s a very modest guy who seems to be happy just to be doing something that he’s very good at, and that always looks and sounds good on stage.  Whether he’s playing with his own band, The Jukes or a group of teenagers at a rock school, he’s always a great player to watch and he always looks like he’s having a great time.  What more could you ask for?

You have to wonder what was in Jon Landau’s mind when he made this statement in a 1974 article in The Real Paper: “I saw rock and roll’s future, and its name is Bruce Springsteen. And on a night when I needed to feel young, he made me feel like I was hearing music for the very first time.”  At that time Bruce had released two critically-acclaimed but commercially unsuccessful albums (“Greetings from Asbury Park, N.J.” and “The Wild, the Innocent and the E Street Shuffle”) and “Born to Run” was just a twinkle in his eye; either Jon Landau was incredibly prescient or he made a very lucky guess.  Whichever way you look at it, surely even Landau wouldn’t have predicted that The Boss would still be playing stadia and arenas forty years later.  The band on Springsteen’s “Wrecking Ball” tour, now in its second year, includes five musicians (Max Weinberg, Gary Tallent, Roy Bittan, Steve van Zandt and The Boss himself) from the “Born to Run” album which was released in August 1975.  However unlikely it is, that’s why I’m in the Olympic Park in Stratford to watch the E Street Band for the first time as part of the Hard Rock Calling festival on a rare sunny summer day in London.

The Boss is one of those artists I’ve loved since the very early days but always avoided seeing live.  I know this sounds weird but there are artists whose work I love so much I didn’t want to see them live and possibly be disappointed.  You have to admit there’s a kind of twisted logic to it.  Anyway, call it the bucket list if you like but I finally saw sense this year and decided to go to the Hard Rock Calling gig.

The support line-up of the Zac Brown Band (great country music throwing in “Kashmir” and “The Devil Went Down to Georgia” towards the end of the set), Alabama Shakes and Black Crowes who dropped a Georgia medley of “Hard to Handle” and the wonderful Joe South song “Hush”.  And then it was time for the The Boss.

The E Street Band hit the stage slightly early with a high-powered version of the “Wrecking Ball” song “Shackled and Drawn” which slid straight in to “Badlands” and the audience were hooked from the start. As usual, Bruce picked request placards from the audience, walked back up to the stage, showed the band the card and immediately launched into the song.  The first song to get this treatment was “Johnny 99”, transformed from the stripped-back album original to a full-on band arrangement with horns and fiddle from Soozie Tyrell which was followed by a rock version of  “Reason to Believe” driven by Steve van Zandt’s guitar riff.  The two audience requests obviously had The Boss in a “Nebraska” mood because “Atlantic City” completed a run of three songs from the album before rousing versions of “Wrecking Ball” and “Death to my Hometown” brought the first part of the show to a close.

The band has been playing entire albums throughout this tour and tonight it was “Born in the USA”.  If “Born to Run” was the album which made Springsteen famous, “Born in the USA” was the one which made him a global phenomenon with its crowd-pleasing anthems.  It’s easy to forget how many classic songs come from the album until you hear it all live. With such a huge amount of great songs to choose from, it’s obvious (even with a three hour set) that some fans won’t get to hear their favourite song.  I would have loved to hear “Highway Patrolman” or “Factory”, but I did get to hear “Bobby Jean”, so I’m pretty happy with that.

As if we hadn’t heard enough anthems, after a relatively low-key close to the set, the encores kicked off with “Jungleland”, “Born to Run” and “Tenth Avenue Freeze-Out” and “American Land” before closing with the downbeat but very moving acoustic rendition of “My Lucky Day”.

As a bit of break from forcing my opinions on you, I decided to get some feedback from Faye and Alice who came from Birmingham for the gig.  Alice (who’s been going to Springsteen gigs since before she was born) loved the gig (not surprisingly) bouncing about and singing along to all the songs while Faye (who was seeing The Boss for the first time) was amazed at how good the show was and loved the idea of the band playing songs chosen by the audience.  So, a big thumbs up from Faye and Alice.  I hope you both had a safe journey home.

Bruce Springsteen and the E Street Band are a live phenomenon; they can play for three hours without even scratching the surface of their repertoire and drop immediately into any song called by The Boss without missing a beat, but it’s not just the musicianship I admire.  The E Street Band (and Southside Johnny, Gary Bonds, Bon Jovi and Billy Walton) are all part of a Jersey shore tradition of bands that give a hundred per cent and want to play all night because they love playing and they understand that a mainly blue-collar audience wants their favourite bands to give them everything they have; you work hard to earn your dollar and you expect bands to work just as hard to earn it from you.

But there’s more to it than that.  The Jersey shore bands are part of a family, literally and metaphorically.  The Boss demonstrated that at Stratford by bringing his mother on for “Dancing in the Dark” and his sister Pam to accompany him at the close of the set.  And don’t forget Clarence Clemons’ nephew Jake playing tenor sax.  I’m convinced that “We Take Care of Our Own” from “Wrecking Ball” isn’t flag-waving patriotism, it’s about all the players, singers and songwriters whose spiritual home is The Stone Pony.  It doesn’t matter how successful you become, you’re still just one of the Jersey crew; for every Bruce, Steve van Zandt and Jon Bon Jovi, there’s a Soozie Tyrell, Ed Manion and Bobby Bandiera and they all have a huge amount of mutual respect.

If you can still get tickets for Springsteen gigs in the UK or Europe, then you should really give it a try; you won’t be disappointed.

I don’t want to alarm you but, this summer, our gig venues (large and small) are about to be invaded by bands from New Jersey.  There are 4 bands from the area touring our sceptred isle over the next few months, so here’s a quick rundown on who’s touring when.

Southside Johnny & the Asbury Jukes, veterans of the 70s Stone Pony scene, and an incredible live experience, will be making a very brief visit at the beginning of May:

Thursday 02/05/13          City Hall, Salisbury

Friday 03/05/13                 The Apex Arts Centre, Bury St Edmunds

Saturday 04/05/13           Burnley International Rock & Blues Festival

The Billy Walton Band (whose frontman Billy Walton has toured the UK a couple of times as guitar player with Southside Johnny) form the second wave of the onslaught when they arrive in mid-May.  A night with BWB is guaranteed to be a great night of rock, blues and soul as Billy and  sax player Richie Taz front up while William Paris and John D’Angelo keep the show rock solid.  The dates are:

Thursday 16/05/13          Beaverwood Music Club, Chiselhurst, Kent

Friday 17/05/13                 The Cluny, Ouseburn, Newcastle upon Tyne

Saturday 18/05/13           Calva Bar, University of Cumbria, Carlisle

Sunday 19/05/13              Kings Arms, St Mary Street, Bedford

Monday 20/05/13            Yardbirds, Church Street, Grimsby

Tuesday 21/05/13            The Fishpond, Matlock Bath

Wednesday 22/05/13     The Greyhound, Beeston, Nottingham

Thursday 23/05/13          The Cellars, Cromwell Road, Eastney

Friday 24/05/13                 Blakeney Harbour Room, Blakeney, Norfolk

Saturday 25/05/13           Saint Bonaventure’s Club, Barkeley Road, Bristol

Sunday 26/05/13              Barnet FC (Underhill Stadium), Barnet

Monday 27/05/13             The Pavilion, Broadstairs, Kent

Thursday 30/05/13          The Flower Pot, Derby

Friday 31/05/13                 Travellers Rest Club, Barrow-in-Furness

Saturday 01/06/13           Boom Boom Club/Sutton Utd. Football Club, Sutton, Surrey

In early June, the venue sizes move a few notches as the Bon Jovi “Because We Can” tour comes to the UK.  Despite the controversy surrounding Richie Sambora’s sudden departure from the tour a couple of weeks ago, the show goes on.   The additional musicians on the live shows include guitar player Bobby Bandiera, who spent a few years as Southside Johnny’s head honcho with the Jukes.   The dates are:

Saturday 08/06/13           Etihad Stadium, Manchester

Sunday 09/06/13              Villa Park, Birmingham

Wednesday 12/06/13     City Stadium, Cardiff

Thursday 13/06/13          Stadium of Light, Sunderland

Sunday 16/06/13              Isle of Wight Festival

The final wave of the invasion overlaps slightly with the Bon Jovi tour when Bruce Springsteen’s Wrecking Ball tour rolls back into the UK in mid-June.  It probably won’t come as a surprise to you now to hear that there’s an ex-member of the Asbury Jukes in the E Street Band.  Ed “Kingfish” Manion (baritone sax) joined the horn section for the “Wrecking Ball” tour after many years  of touring and recording with Southside Johnny.  You can see The Boss here:

Saturday 15/06/13           Wembley Stadium, London

Tuesday 18/06/13            Hampden Park, Glasgow

Thursday 20/06/13          Ricoh Stadium, Coventry

Sunday 30/06/13              Queen Elizabeth Olympic Park, London

Just in case I need a sledgehammer to get this message home, some great music has come out of New Jersey (and I haven’t even got on to Patti Smith, Gary Bonds and The Four Seasons).  Some bands have been incredibly successful over a long period of time and some haven’t; what the bands touring the UK this summer have in common is mutual respect and shared personnel.  You can probably still get tickets for The Boss and Bon Jovi but, if they’re playing anywhere near you, try to get out and see Southside Johnny and Billy Walton; you won’t regret it.